Review: SETTUP by TK Thoits

Synopsis:

Respected neurologist and researcher Stella Murray was confident the FDA would approve the experimental medication based on its demonstrated superior efficacy. Knowing a serious side effect would not derail the approval process, she reports that a patient had a significant reaction to the investigational drug.

Shortly thereafter, Grand Rapids Detective Troy Evans is called to investigate the suspicious death of a Site Monitor who, he learns, worked with Murray. Evans asks Murray to educate him on the unfamiliar world of medical research. She discloses that conducting investigational drug studies has become a multibillion-dollar industry, with power brokers providing more oversight than the government.

When Murray informs Evans that a second Site Monitor has been killed, they team up to take down the corruption that is mercilessly burying unwelcome researchers and results of a promising drug trial.

Favorite Lines:

“Sometimes having the loudest voice in the decision-making process didn’t matter.”

“Filling out the death report was his way of delaying that which he dreaded the most. Notification of the parents.”

“‘You can be a real dick sometimes. How does your better half, no, your extremely superior half put up with you?’ ‘She tells me that I was lucky to marry up.'”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

SETTUP opens in a way that immediately tells you what kind of story you’re stepping into—fast, clinical, and a little unsettling. The ER scene with the teenage patient in status epilepticus isn’t just dramatic for the sake of it—it feels real. The details are sharp, almost uncomfortably so, and you can tell right away that this book is going to lean heavily on medical realism. It doesn’t ease you in. It drops you straight into it.

From there, the story expands quickly into something bigger than just a single patient case. What starts as a medical situation turns into something that feels more like a layered thriller—part hospital drama, part research conspiracy, part crime story. Stella Murray is probably the emotional anchor of the book. She’s competent, driven, and grounded in a way that makes the more chaotic elements around her feel believable. Her concern about the study drug doesn’t feel dramatic—it feels like someone who knows something is off but doesn’t yet have proof.

And then the book takes a turn.

The introduction of the corporate side—and especially the darker thread involving the trial, the pressure to suppress adverse events, and the decision to eliminate a problem rather than solve it—is where things shift from grounded to unsettling. The email exchange with KFAP is honestly one of the most jarring parts of the book, but in a way that works. It’s bizarre, a little darkly comedic, and also deeply uncomfortable. The contrast between the tone of those emails and the seriousness of what’s actually happening creates this strange tension that sticks with you.

KFAP as a character is… a lot. He’s unpredictable, unsettling, and written in a way that almost makes him feel detached from reality. But that’s also kind of the point. He’s not meant to feel normal. He’s meant to feel like someone operating outside the rules everyone else is trying to follow. And when his storyline intersects with the medical plot, the stakes suddenly feel very real in a different way.

The detective side of the story adds another layer that I actually liked more than I expected. Evans is methodical, grounded, and a nice counterbalance to the chaos happening behind the scenes. His sections slow things down in a good way—they give you space to process what just happened while also pushing the mystery forward.

If there’s one thing this book does well, it’s juggling multiple threads without losing the core tension. The medical mystery, the ethical gray area of clinical trials, the corporate pressure, and the crime element all feed into each other. You can feel the pieces moving toward something bigger, even when the story jumps perspectives.

This story reads like a hybrid between a medical drama and a conspiracy thriller with a darker edge. It’s not subtle, but it is engaging. And once things start connecting, it becomes hard to put down.

Summary:

Overall,  SETTUP is a fast, detail-heavy medical thriller that starts in the ER and expands into a layered story involving clinical trials, corporate pressure, and a criminal subplot. The medical realism is strong, and the tension builds as the threads begin to connect. The tone can shift a bit—especially with the assassin storyline—but it adds a darker, more unsettling edge. Best for readers who like medical dramas with conspiracy elements and multiple POVs rather than a single, straightforward narrative. Happy reading!

 

Check out SETTUP here!
Book Trailer


 

Review: With Time to Kill by Frank Ferrari

Synopsis:

Everyone deserves a second chance, but how far would you go for one?

In the gritty streets of Edinburgh, Garry Plumb is about to find out. Living life on the periphery, never fitting in and always on his own, Garry’s world opens up when he meets Billy, the peculiar bus driver who has been watching him. Billy knows exactly how it feels to be ignored and his influence on Garry is immediate.

For the first time, Garry knows what it means to have his very own best friend. But this friendship is unlike any other, as Billy reveals how Garry can fix his entire life by changing his past.

But when the DCI John Waters, a relentless detective hunting a clever serial killer, enters Garry’s life, their friendship is put to the ultimate test.

Garry is willing to do anything for a second chance at life but, after meeting Billy, he has to ask would he kill for it?

This dark and captivating tale of self-discovery, murder and redemption will keep readers on the edge of their seats. With Time to Book One, a perfect blend of Scottish crime and sci-fi thriller, will leave you wanting more.

Favorite Lines:

“Good morning, fabulous Major Investigations Team of this fair city.”

“It was clear to anyone observing Waters and his team that the level of respect he commanded and, in turn, the support he provided was unparalleled.”

“The sky was clear and the air a little muggy, which was great for the flowers. Doing not nearly so well was the salmon pink shirt Billy wore, which threatened to show the world exactly what his nipples looked like as he made his way to the hospital.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Frank Ferrari’s With Time to Kill doesn’t so much open as detonate. Within the first few pages we meet Garry Plumb, an Edinburgh every-man whose crippling invisibility at the office hides a far darker secret: he is also “one of the most prolific serial killers no one has ever heard of”. Ferrari drops that bombshell with such off-hand confidence that you know you’re not putting this book down after that.

From there the book splits its focus between Garry’s quietly methodical murders and Detective Chief Inspector John Waters, a rum-voiced Highlander whose Major Investigations Team is scrambling to explain a sudden spike in corpses around the city. Waters’s squad-room banter—equal parts gallows humour and procedural grit—gives the thriller its pulse, and the moment they realise all the victims were “assigned female at birth” the anxiety kicks up a gear. Running parallel is the oily bus-driver Billy Blunt, whose cheerful note slips under Garry’s fingers at lunchtime and drags the story into a gloriously seedy pub called The Northern Lights.

What elevates the novel beyond a straight serial-killer chase is Ferrari’s time-travel conceit. Garry isn’t just killing; he’s pruning history with an organic device he calls a “Carrier,” hopping back to erase abusers and bullies before they ever bloom. The ethical whiplash is terrific fun: one minute you’re rooting for him as avenging angel, the next you’re recoiling as the body-count rises. Ferrari keeps that moral compass spinning but never lets the sci-fi mechanics bog the narrative; the rules are clear enough to follow yet just sketchy enough to stay unnerving.

Stylistically, the prose lands somewhere between Tartan Noir and Blake Crouch’s twisty thrillers. Ferrari writes working-class Edinburgh with an affectionate sneer—sticky pub carpets, passive-aggressive rain, and HR managers you’d cheerfully shove off North Bridge. The pacing sprints, brakes, then careens again, and while a couple of subplot threads feel set up for book two, the central cat-and-mouse delivers the promised gut-punch. A special shout-out to Waters, whose Occam’s-razor lecture is the most charming digression on medieval philosophy I’ve read in a police procedural

Summary:

Overall, With Time to Kill is a gleefully dark mash-up of police procedural, serial-killer horror, and high-concept time travel. If you like your thrillers smart, Scottish, and just a little bit unhinged, clear an evening—you’ll race through this and immediately want the sequel. Happy reading!

Check out With Time to Kill here!