Tag: Likely Story Blog

Crimson Secrets: Love’s Dark Labyrinth by XuXa

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Synopsis:

Shadows linger in whispers of love; can you trust the heart that betrays you?

When I met Malik, it was all hot glances and sizzling touches in dark corners. We were supposed to be a casual fling—intense, short, purely physical. But the deeper I fell into his bed, the deeper I fell into his secrets.

Now, danger shadows every whisper and kiss. Malik’s past isn’t just dark—it’s dangerous. And it’s catching up with us fast.

As threats close in, our fiery affair turns into a desperate fight for survival. Each touch could be our last. We’re playing with fire, and I’m not sure we’ll both make it out unburned.

Can our passion overcome the past, or will his secrets tear us apart?

Favorite Lines:

“But trust was a thin thread stretched too far between her fragile union of flesh and soul, which was now tortured by doubt, fears, and suspicions.”

“The night had been heavy with secrets…”

“But they had survived. More importantly, they had learned to love”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Crimson Secrets pulled me in from the first page. It’s a book that feels drenched in mood—rain against glass, the pulse of the city at night, a woman standing at the edge of something she doesn’t yet understand. XuXa’s story isn’t just about love; it’s about the danger that hides inside of it, the places it can take us when we stop paying attention.

At the center of the story is Nia, a woman who looks like she has it all together: a sharp career, confidence, control. But when she meets Malik, everything starts to shift. He’s magnetic in the way people are when they’re equal parts promise and warning. What begins as attraction turns into something darker, tangled with secrets neither of them are ready to face. Watching Nia try to hold onto herself as her world unravels is what makes this book so compelling—it’s love, obsession, and awakening all rolled into one.

XuXa writes with a cinematic rhythm. You can almost see the light move across a room, hear the weight of silence between two people who want something they shouldn’t. The story balances its sensuality with tension so sharp it borders on anxiety. Each scene builds like a slow exhale, leading to revelations that are as emotional as they are dangerous.

What I loved most is that the book never settles into being just one thing. It’s romantic, yes—but also psychological, suspenseful, and surprisingly introspective. By the end, Crimson Secrets isn’t about finding love so much as it’s about finding yourself again after love has burned through everything else. Nia’s journey feels messy, real, and deeply human. It’s the kind of story that lingers with you—the way certain people do, long after they’re gone.

Summary:

Crimson Secrets: Love’s Dark Labyrinth is a dark, seductive story about what happens when love and danger start to look the same. XuXa writes with a sharp, visual style that makes every moment feel cinematic and alive. It’s part thriller, part romance, and part reckoning—a story about how power shifts when truth finally comes to light. At just shy of 70 pages, this book could be a quick read for anyone interested in erotic suspense thrillers. Happy reading!

Check out Crimson Secrets here!

 

Review: The Boy with the Thorn in His Side by L.J. Robson

~ likelystory18 ~ 2 Comments

Synopsis:

For most of my life, I felt like something was wrong – like I was living with a shadow I couldn’t see, a weight I couldn’t name. My childhood was marked by fear, confusion, and memories that never quite fit together. I knew there were pieces missing, but I never expected the truth to be more terrifying than my worst nightmares.

This is my story. A journey through trauma, survival, and the battle to reclaim my own mind. It’s about the ghosts of the past that never stopped whispering, the questions no one wanted to answer, and the slow unravelling of a reality I had been forced to forget.

Told with raw honesty, The Boy with the Thorn in His Side is not just an account of what happened to me – it’s a testament to resilience, a fight for acceptance, and a message to anyone who has ever felt trapped by their own past.

Sometimes, the truth is the hardest thing to face. But in facing it, we find the strength to break free.

Favorite Lines:

“We were haunted by old ghosts that were just too painful to talk about. It was like an elephant in the room for years when we were together…”

“Like a new green leaf on a tree just gets used to its summer conditions, then it slowly starts to turn to brown with autumn.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Some memoirs feel like quiet confessions, whispered to the reader. The Boy with the Thorn in His Side is not one of those books. Instead, it’s raw, unflinching, and at times gut-punchingly vivid. Robson does not dress up the past or soften the edges—he walks you straight back into his childhood home, sits you down in the living room, and makes you face the darkness right along with him.

What struck me most was the honesty. There’s no attempt to make himself the “perfect survivor” or to tie everything up neatly with a bow. The narrative moves between moments of fragile hope and crushing despair, often with dreamlike sequences that blur memory and trauma. At times it’s unsettling, but that’s what makes it powerful.

Robson’s gift is in the way he captures both the innocence of childhood and the corrosive impact of abuse, poverty, and instability. You feel his joy at football matches and music just as strongly as his dread when violence creeps into the home. It reminded me that memoir doesn’t have to be polished—it has to be true. And this one is brutally, achingly true.

This isn’t a light read. There are nights, addictions, betrayals, and moments of unbearable tension. But there’s also resilience, the bonds of brothers trying to survive together, and the long, slow path of healing. By the end, you feel not only the weight of Robson’s scars but also the strength it takes to write them down.

For readers who appreciate memoirs that don’t hide from the hard stuff—this belongs on your list.

Summary:

Overall, The Boy with the Thorn in His Side is a raw, unfiltered memoir of trauma, resilience, and healing. L. J. Robson takes you into the shadows of his childhood home, unafraid to expose the scars of abuse and the chaos of survival. It’s heavy, often heartbreaking, but threaded with moments of hope and honesty. A difficult yet rewarding read.

Check out The Boy with the Thorn in His Side here!

Review: Like Driftwood on the Salish Sea by Richard L. Levine

~ likelystory18 ~ 2 Comments

Synopsis:

When they met in the fourth grade, it was love at first sight for Mitchell Brody and Jessica Ramirez. He was the freckle-faced kid who stood up for her honor when he silenced the class bully who’d been teasing her because of her accent. She was the new kid whose family moved to San Juan Island, Washington, from San Juan, Puerto Rico, and whom Mitch had thought was the most beautiful girl in the world.

She was his salvation from a strict upbringing. He was her knight in shining armor who had always looked out for her. Through the many years of porch-swinging, cotton-candied summer nights, autumn harvest festivals, and hand-in-hand walks planning for the ideal life together, they were inseparable…until 9/11, when the real world interrupted their Rockwell-esque small town life, and Mitch had joined the Marine Corps.

This is not just the story of a wounded warrior finally coming home to search for the love, and the world he abandoned twenty years before. It is also the story of a man who is seeking forgiveness and a way to ease the pain caused by every bad decision he’d ever made. It’s the story of a woman who, with strength and determination, rose up from the ashes of a shattered dream; but who never gave up hope that her one true love would return to her. As she once told an old friend: “Even before we met all those years ago, we were destined to be together in this life, and we will be together again, because even today we’re connected in a way that’s very special, and he needs to know about it before one of us leaves this earth.”

Favorite Lines:

“To him, those shadows resembled a life slipping away—a life he felt no more able to grasp and hold on to no more than he could grab and hold on to any one of those shadows—and it abruptly reminded him of one of the last times he saw Alex.”

“I’m hoping if I tell that lie often enough, there’s a chance it could come true.” 

“Haven’t you ever been involved with someone so special that you couldn’t concentrate on anything, or you couldn’t catch your breath no matter how hard you’ve tried? Wasn’t there ever someone who made you feel that you wanted to spend your every waking moment with because maybe, just maybe, there wouldn’t be a tomorrow? That’s what it feels like to me when I’m with her. Sometimes I lie awake at night thinking that time really is running out. Apart from that, when we’re not together I feel lost, like I have no direction, no purpose for being. I feel like…as I once told Jess, like a sailboat that has no rudder or keel…completely at the mercy of the wind and the current.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Richard I. Levine’s Like Driftwood on the Salish Sea is a quiet novel about coming home, but it’s also about what you carry with you when home isn’t the same place you left. Mitch Brody, a Marine pushed into medical retirement, returns to the San Juan Islands with more questions than answers. He wants to disappear into familiar places—the ferry crossings, the smell of salt air, the memory of an orchard long gone—but the past has other plans. 

What I loved about this book is how ordinary moments are weighted with history. A doctor’s waiting room, a cup of coffee in a ferry galley, a drive down a rural road—Levine makes them feel alive with tension, because Mitch isn’t just moving through space, he’s moving through memory. Ghosts linger here, and not just Alex, the friend whose absence still cuts at him. There’s Jess, the woman he left behind, and the version of himself he can’t quite reconcile.

The writing is unhurried, like the islands themselves. There’s room for silence, for reflection, for scenes to stretch out the way real conversations do. By the end, I found myself rereading the opening lines about ashes on the water, realizing how much weight they’d gathered along the way.

This isn’t a book that hurries to a resolution. It’s a book that asks you to sit with Mitch while he figures out whether forgiveness—his own and others’—is still possible. In the end, like driftwood, he’s shaped by the tides that brought him here, but still moving with them.

Summary:

Overall, Like Driftwood on the Salish Sea is a thoughtful, unhurried story about coming home and facing the past you can’t outrun. Richard I. Levine gives us a main character shaped by war, haunted by loss, and pulled back to the San Juan Islands to reckon with love, regret, and responsibility. It’s a novel about memory and forgiveness, written with the patience of the place it inhabits. For readers who appreciate reflective, character-driven fiction rooted in a strong sense of setting, this one lingers like salt air long after you’ve finished the last page. Be ready to cry and happy reading!

You can find the book trailer here.

Check out Like Driftwood on the Salish Sea here!

 

Review: Spellbound by the Captain’s Curse by Frances Mary Dunham

~ likelystory18 ~ 1 Comment

Synopsis:

A Spicy Fantasy Romance of Blood Magic, Cursed Lovers, and Storm-Bound Passion.

She came for vengeance. He offered ruin. Together, they’ll defy the gods—or die trying.

Heiress Abigail Derby was born to rule the seas. She’s fought her way through storms, smugglers, and scheming noblemen to claim her place at the helm of her father’s shipping business. But when a shipment critical to her family’s legacy is stolen by none other than her long-time rival—Captain Wesley Northrup, the maddeningly seductive pirate with a devil’s grin and a taste for destruction—Abigail launches a personal mission of retribution. What she doesn’t expect is to uncover his devastating secret: Wesley is a cursed warlock.

Bound by ghost-forged chains and the ancient power of a fractured Oathstone, Wesley is slowly being consumed by magic—body and soul. Each silver-blue link etched across his chest is both a prison and a death sentence. The only way to break the curse is through blood magic—dark, forbidden rituals that require sacrifice, pain, and a bond no spell can fake. The deeper they go, the more Abigail must give. Her blood. Her trust. Her desire.

And she’s burning with all three.

As they descend into a world of haunted ruins, sea beasts, smugglers, and betrayal, Abigail and Wesley find themselves fighting not just for survival, but for control—of the curse, of their futures, and of the explosive passion that ignites every time they touch. What begins as an uneasy truce becomes an irresistible hunger neither of them can deny.

Every ritual draws them closer. Every broken chain demands a deeper intimacy. And every act of magic tempts fate itself.

But the curse is not the only danger.

There are forces in Salem who want Abigail’s empire to fall. Enemies from Wesley’s past who would see him dragged beneath the waves. Ghosts. Gods. Monsters. And as the storm builds around them, the final ritual may cost more than blood—it may demand their hearts, their souls, or the destruction of everything they swore to protect.

Will they break the curse before it breaks them? Or will love be the greatest risk of all?

Prepare to be swept away by:
Enemies-to-lovers heat that explodes off the page
Forced marriage by decree
Erotic blood magic & soul-binding rituals
A cursed rogue sea captain & a proud, powerful heiress
Sea monsters, ghost-inked chains & salt-kissed kisses
Savage intimacy, sacred vows & one unforgettable final bond

Set against the dark allure of colonial Salem and the raging Atlantic, Spellbound By The Captain’s Curse is a deliciously wicked blend of slow-burn tension, supernatural danger, and off-the-charts spice. This standalone fantasy romance delivers everything you crave—grit, guts, and gasp-worthy passion wrapped in lyrical prose and high-stakes adventure.

The rituals are brutal. The sex is searing. The love is something they never saw coming.

For readers who devour the seductive danger of The Bridge Kingdom, the raw intensity of From Blood and Ash, and the dark romantic magic of A Soul to Keep, this book will leave you aching, breathless, and completely spellbound.

Favorite Lines:

“I am terrified not of dying, but of opening myself to Wesley—of letting him see the soft, damaged parts I keep hidden even from myself. And that, I realize, is exactly what the curse wants.”

“I forgot how allergic you are to being outbid.”

“You mistake audacity for cleverness…You mistake privilege for immunity.”

“The storm didn’t claim them. Desire did.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

From the very first page, Frances Mary Dunham’s Spellbound by the Captain’s Curse sweeps you into Abigail Derby’s world of salt‑sprayed decks, candlelit archives, and auctions where fortunes—and honor—are won or lost in a heartbeat. Abigail, acting head of Derby Shipping, is introduced in full force at a high‑stakes auction where she dares to outbid Salem’s fiercest merchant captains—until Captain Wesley Northrup, the legendary “North Sea Devil,” arrives to crush her last vestige of pride.

Dunham balances razor‑sharp wit with crackling sexual tension. Abigail’s fierce determination and Wesley’s dark magnetism play off each other like thunder and lightning: each encounter leaves them both scorched and craving more. Unlike many romances, their enemies‑to‑lovers arc is driven as much by legacy and honor as by desire. The looming threat of the ancient Oathstone—a relic that can bind souls as surely as chains bind wrists—raises the stakes from personal rivalry to a battle for free will itself.

The novel’s pacing is masterful. After the charged auction scene, we follow Abigail into the storm‑lashed Maritime Archives, where she uncovers forbidden laws and the terrible power of the Oathstone. Moments of high romance—stolen glances, near‑touches, and whispered challenges—are threaded through discoveries that could undo her family’s legacy forever. Dunham’s prose is evocative without ever becoming overwrought: you taste the brine on your lips, feel the weight of Abigail’s defiance, and shiver at every hint of magic lurking in Salem’s shadows.

At its heart, this is a story about choice: whether to cling to the safety of solitude or risk everything for connection. Abigail and Wesley must decide if the bond the Oathstone forces upon them is a prison—and whether their own hearts are worth the gamble. 

Summary:

Overall, for readers who love gritty coastal settings, smart heroines, morally complex heroes, and slow‑burn romance that truly earns its happy ending, Spellbound by the Captain’s Curse is an absolute must‑read. Happy reading!

Check out Spellbound by the Captain’s Curse here!

Review: Coven of Andromeda by Ron Blacksmith

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Synopsis:

When a powerful magical artifact disappears from the Tanner home, Bree uncovers her family’s true legacy: they’re descendants of witches who fled a dying world centuries ago. Now, Bree must forge an uneasy alliance with Sam Sorken, her mysterious neighbor who harbors secrets of his own—he’s a necromancer from that same world, sworn to protect the coven.

Together, they race against time to stop Kestral Drach, a vengeful voodoo witch preparing to breach the Realm of the Dead and consume the power of countless spirits. As ancient histories collide with present dangers, Bree must embrace her heritage and master unexpected magic that binds her family across generations, before Kestral unleashes forces that could destroy both worlds.

Favorite Lines:

“The timing of destiny is rarely convenient”

“Balance has never been particularly difficult to disrupt.”

“Different paths sometimes lead to the same destination, my boy.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

At first glance The Coven of Andromeda looks like two different novels stitched together: a high-fantasy apprenticeship set beneath lavender skies on Eldoria, and a contemporary tale of bayou folk-magic unfolding in rural Louisiana. The stitching, however, is deliberate. As dimensional rifts widen, necropolis spirits seep into southern swampland, and the narrative threads converge with satisfying inevitability.

Blacksmith frames the entire story around one idea—that so-called “life-magic” and “death-magic” are complementary halves of the same discipline . Sameril, a meticulous student of necromancy, and Bree Tanner, a reluctant heir to her grandmother’s coven, spend much of the book wrestling with that paradox. Their eventual alliance is persuasive because both characters must confront inherited duty: Sameril through the austere Codex Mortis , Bree through a family legacy that offers “truths we must face” rather than evade .

Structurally, the novel alternates measured training chapters with brisk set-piece battles; the rhythm reminds me of a well-paced anime season. The climax is undeniably crowded—multiple factions, a power-hungry voodoo queen, and a spirit of chaos invoked in a single ritual—but the ambition rarely tips into confusion. When the rifts finally erupt, Blacksmith delivers the promised spectacle without abandoning the quieter question of what balance between worlds should look like.

Stylistically, the writing alternates between lyrical description and colloquial banter. A paragraph detailing obsidian pillars flickering with ghost-light may be followed by a dry aside about who is responsible for bringing refreshments to the next ritual. This tonal flexibility works because the characters themselves embrace both gravity and levity; a sisterly bond forged late in the novel underscores that the real stakes are personal before they are cosmic .

Summary:

Overall, I would describe this as A Darker Share of Magic colliding with Practical Magic at a Cajun cookout. Readers who enjoy expansive fantasy with contemporary texture will find The Coven of Andromeda an engaging—and occasionally demanding—journey. Its length requires patience, but the reward is a robust exploration of power, responsibility, and the fragile equilibrium between the realms of the living and the dead. Happy reading!

Check out Coven of Andromeda here!

 

Review: MATE: A Novel in Twenty Games by Robert Castle

~ likelystory18 ~ 2 Comments

Synopsis:

MATE: a novel in twenty games deals with marriage as a chess game. What distinguishes MATE from other stories and novels about the life and death of a relationship is its radical correlation of the actions of a husband and wife to chess moves. The logic of the novel suggests: chess is war reduced to a game; marriage is chess; marriage is war. That is the tragedy—marriage, as a human institution and human desire, is innately tragic. In marriage, one or the other partner feel obliged to annihilate the other in a struggle for…what? This is the central question and riddle of MATE.

Favorite Lines:

“Psychological brutality alone would have satisfied the patrons of the Roman Colosseum.”

“This is tragedy of the modern game, the games cannot avoid desperate attempts to defeat one’s opponent.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

MATE: A Novel in Twenty Games imagines marriage as a grand-master tournament, complete with opening gambits, trash-talking color commentary, and a running scoreboard that rewards the first spouse to notch six wins. Robert Castle’s conceit lands fast: every domestic flare-up—whether it’s bedtime negotiations or political chatter over lamb chops—gets diagrammed like a tactical skirmish. The result is part sports broadcast, part relationship post-mortem, and entirely compulsive to read.

Most chapters replay a single “game.” Castle’s unseen narrator calls the moves with gleeful precision, pausing to highlight blunders and propose sharper sidelines the players never see. A simple grocery-store run, for instance, spirals into feints, sacrifices, and counter-punches that would impress a blitz champion. The play-by-play can be savage, but its real charm is how it exposes tiny hurts we all recognize—the sigh before an argument, the silent tally of old grievances—without ever dropping the tournament mask.

Beneath the quick wit sits a bleak observation: perfectly played matches end in stalemate, and no clever tactic erases the cost of constant competition. Scores swing wildly—one chapter leaves Pillsbury a single victory from clinching the match—yet triumph feels hollow when the commentary reminds us another round always looms. Class anxiety, gender scripts, and ‘90s pop politics all take turns on the board, their influence measured in incremental positional gains rather than sweeping mates.

If there’s a hurdle, it’s overload. Castle peppers every game with alternative lines and psychological footnotes; the barrage can feel like reading an annotated grand-master classic without diagrams. Still, that density is the punchline: marriage, he suggests, is endless analysis paralysis, where the move you regret is always the one you just made.

Summary:

Overall, sharp, exhausting, and wickedly funny, MATE argues that when love turns into a tournament, the best most of us can hope for is a well-fought draw—and maybe a laugh at the post-game press conference. Happy reading!

Check out MATE: A Novel in Twenty Games here!

 

Monthly Features – June 2025

~ likelystory18 ~ Leave a comment

A Song at Dead Man’s Cove by Ana Yudin

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: Never turn your back on the ocean…

2023. Another person has disappeared at Dead Man’s Cove in coastal Washington. Jaded from her job at the historic Irving Hotel, Zarya wanders to the scene of the tragedy. She has heard her Russian mother’s tales of rusalki—vengeful spirits that have died unclean deaths near a body of water—and never paid them much attention. But now, on a misty headland beside an abandoned lighthouse, Zarya locks eyes with the rusalka and is chosen to be the next victim. She must unearth the siren’s tragedy before Rusalka Week, a period in early summer when water-spirits roam freely on land.

1850. Josephine has just joined her newlywed husband in Washington, in the lighthouse erected by local businessman Hurley Irving. Marriage is not quite what she expected, and her melancholia grows over the course of the winter. The medic prescribes pregnancy as the antidote. What he doesn’t realize is how far Josephine is willing to go in order to become a mother.

The Gothic horror novel follows two protagonists, a modern-day misanthrope who fears intimacy and a woman in the Victorian era who thinks stealing love will make her whole. But how long can a person hide from love, and can love really be taken by force?

Summary: A Song at Dead Man’s Cove is a mesmerizing, multilayered ghost story that manages to be both otherworldly and deeply human. Ana Yudin delivers a narrative that is as much about ancestral trauma and unspoken truths as it is about sirens and shipwrecks. It’s a tale of women silenced by history—singing now through salt and shadow to be heard.

Highly recommended for fans of Silvia Moreno-Garcia, Erin Morgenstern, and readers who crave gothic atmosphere with a feminist edge.

See the full review here: A Song at Dead Man’s Cove
Purchase here

 

With Time to Kill by Frank Ferrari

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: Everyone deserves a second chance, but how far would you go for one?

In the gritty streets of Edinburgh, Garry Plumb is about to find out. Living life on the periphery, never fitting in and always on his own, Garry’s world opens up when he meets Billy, the peculiar bus driver who has been watching him. Billy knows exactly how it feels to be ignored and his influence on Garry is immediate.

For the first time, Garry knows what it means to have his very own best friend. But this friendship is unlike any other, as Billy reveals how Garry can fix his entire life by changing his past.

But when the DCI John Waters, a relentless detective hunting a clever serial killer, enters Garry’s life, their friendship is put to the ultimate test.

Garry is willing to do anything for a second chance at life but, after meeting Billy, he has to ask would he kill for it?

This dark and captivating tale of self-discovery, murder and redemption will keep readers on the edge of their seats. With Time to Book One, a perfect blend of Scottish crime and sci-fi thriller, will leave you wanting more.

Summary: Overall, With Time to Kill is a gleefully dark mash-up of police procedural, serial-killer horror, and high-concept time travel. If you like your thrillers smart, Scottish, and just a little bit unhinged, clear an evening—you’ll race through this and immediately want the sequel.

See the full review here: With Time to Kill
Purchase here

 

The People Who Paint Rocks by Michael Stewart Hansen

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: The People Who Paint Rocks is a multi-generational horror epic that transcends the boundaries of its genre. What begins as a period horror/drama in 1910 Santa Fe evolves into a chilling supernatural thriller by 1975, where a pregnant nurse and a detective tormented by spiritual doubt race to stop an evil older than memory. A moody, unsettling, and unrelentingly atmospheric work that grips the reader from the first page and refuses to let go.

The opening act is steeped in Western gothic, introducing us to Albert McCord, a grieving husband and father seeking revenge on the wolf that took his family. But the creature he hunts is no ordinary predator—it is the origin of something far more terrifying. Hansen cleverly seeds this early chapter with themes of loss, legacy, and the illusion of control. Albert’s struggle is both physical and existential, as he fends off his late wife’s scheming family while unknowingly chasing a malevolent force that will haunt generations to come.

Fast-forward to 1975, and the novel pivots into psychological horror, following Charlie, a pregnant nurse caught in a web of ritualistic murders, and Alonzo, a detective whose beliefs are unraveling. This shift is not jarring but deliberate, echoing the disjointed sense of time that defines much of the book’s unsettling tone. The narrative connection between Albert and the events six decades later becomes a dark thread pulling the characters toward an inevitable confrontation.

Summary: Overall, The People Who Paint Rocks is a gritty, big-hearted mash-up of western, creature feature, and generational ghost story. Come for the demon wolf and six-gun showdowns, stay for the way Hansen turns painted pebbles into the creepiest grave markers this side of Stephen King country. It’s messy, mean, and—when the sun finally comes up over Red Rocks—oddly hopeful.

See the full review here: The People Who Paint Rocks
Purchase here

 

Review: The People Who Paint Rocks by Michael Stewart Hansen

~ likelystory18 ~ 2 Comments

Synopsis:

The People Who Paint Rocks is a multi-generational horror epic that transcends the boundaries of its genre. What begins as a period horror/drama in 1910 Santa Fe evolves into a chilling supernatural thriller by 1975, where a pregnant nurse and a detective tormented by spiritual doubt race to stop an evil older than memory. A moody, unsettling, and unrelentingly atmospheric work that grips the reader from the first page and refuses to let go.

The opening act is steeped in Western gothic, introducing us to Albert McCord, a grieving husband and father seeking revenge on the wolf that took his family. But the creature he hunts is no ordinary predator—it is the origin of something far more terrifying. Hansen cleverly seeds this early chapter with themes of loss, legacy, and the illusion of control. Albert’s struggle is both physical and existential, as he fends off his late wife’s scheming family while unknowingly chasing a malevolent force that will haunt generations to come.

Fast-forward to 1975, and the novel pivots into psychological horror, following Charlie, a pregnant nurse caught in a web of ritualistic murders, and Alonzo, a detective whose beliefs are unraveling. This shift is not jarring but deliberate, echoing the disjointed sense of time that defines much of the book’s unsettling tone. The narrative connection between Albert and the events six decades later becomes a dark thread pulling the characters toward an inevitable confrontation.

Favorite Lines:

“You got more balls than brains, son.”

“Some rocks are hard to read. Some are easy.”

“The wolf he’d hunted so determinedly suddenly seemed insignificant compared to the secrets the red rocks had been keeping.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Michael Stewart Hansen’s The People Who Paint Rocks splices a dust-blown 1910 New Mexico western to full-tilt folk-horror and somehow makes the seams feel natural. From page one we’re pitched into camp-fire mist and an injured stranger clutching a dead infant, while a spectral wolf circles just out of the light. What starts as a classic “frontier bad-omen” tale quickly sprawls across decades and states, dragging in an orphan-stuffed mission school, a crooked land grab, and a sanitarium where nuns hiss Latin that would curdle holy water. The mood stays taut because Hansen never lets the supernatural drown the human stakes; every eerie set piece, from a wolf pacing in a carnival cage to a demon-tinged asylum corridor, lands on the backs of characters already bowed by grief or greed.

At the center is Albert McCord, a rancher still raw from losing his family to a “black wolf”—animal, spirit, or both. His dogged hunt stitches the novel’s timelines together: one minute he’s evangelizing dynamite-strong coffee with his ranch hand Earl, the next he’s staring down that same black beast against a blood-red mesa. The wolf’s menace is real enough to draw actual Winchester fire, yet it also feels like whatever evil the locals have been whispering about since the priests of Our Lady of Sorrows were found slaughtered on All Hallows’ Eve. When Albert finally realizes the painted stones dotting his land may be grave markers rather than kids’ crafts, the horror pivots from creature-feature to something far older and sadder.

The large cast could have ballooned into chaos, but Hansen doles out POVs like camp-fire stories—each one lurid, self-contained, and building the overarching mythos. William Ward, the whiskey-soaked heir who wants Albert’s ranch, is more tobacco-spit than moustache-twirl, yet his brand of entitled cruelty fits the book’s grimy view of power. Later chapters jump to a 1970s asylum where Sister Kinney’s bone-snapping transformations crank the horror to Exorcist-level body fear, all while a pregnant nurse and an unnervingly prescient child pass painted rocks like cursed postcards. The tonal gear shifts might jar some readers, but the through-line—wolves, faith, and buried sins—keeps the engine firing.

What really sells the novel is the language: plain-spoken frontier grit bumping against sudden poetry. Hansen can describe a saloon stare-down with the same weight he gives a wolf’s last breath or a nun’s Latin snarl, and the dialogue rings true whether it’s ranch-hand humor or courtroom doom-saying. If there’s a flaw, it’s that the time jumps demand close attention—blink and you’ll miss which decade you’re bleeding in—but the payoff is worth the occasional whiplash. By the time Albert stands ankle-deep in desert soil written over with painted stones, the book has earned every chill.

Summary:

Overall, The People Who Paint Rocks is a gritty, big-hearted mash-up of western, creature feature, and generational ghost story. Come for the demon wolf and six-gun showdowns, stay for the way Hansen turns painted pebbles into the creepiest grave markers this side of Stephen King country. It’s messy, mean, and—when the sun finally comes up over Red Rocks—oddly hopeful. Happy reading!

Check out The People Who Paint Rocks here!

 

Review: Deadly Vision by T.D. Severin

~ likelystory18 ~ Leave a comment

Synopsis:

A revolutionary medical breakthrough. A technology, so advanced, people will kill to prevent its discovery. Dr. Taylor Abrahms, rising above his troubled past, is an expert in the burgeoning field of Medical Virtual Reality. A gifted researcher, he’s created an experimental fusion of virtual reality, artificial intelligence, and microsurgery that will revolutionize the way surgery is performed. With the Virtual Heart Project (VHP), Taylor can enter a virtual recreation of his patient’s beating heart and perform critical, life-saving surgery entirely within the realm of virtual reality. But in the political war zone of San Francisco University Medical Center, not everyone is thrilled. With a health care crisis threatening to bankrupt the nation, advanced biotechnology is a flashpoint in health care reform. Taylor’s research is scapegoated and he finds himself caught between warring factions in medicine and politics that will do anything to shut his project down, a battle that rages all the way to an upcoming Presidential election. Soon, Taylor finds himself the target of nonstop attacks: the destruction of his career, scientific sabotage, and murder, as those associated with the Virtual Heart Project are killed, one by one. Fighting for his medical career and eventually his life, Deadly Vision tells the tale of Taylor’s battle against overwhelming odds, political machinations, sabotage and murder, to bring this modern technology to reality and save the life of someone he loves.

Favorite Lines:

“Face time was a powerful currency in power-hungry Washington.”

“Blind idealism is a death sentence, Taylor.”

“Taylor didn’t think he’d ever get used to how amazing it was, to be standing inside a beating heart.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Todd Severin’s Deadly Vision tees up a Silicon-Valley whistle-blower murder, a bleeding-edge medical breakthrough, and a scorched-earth U.S. Senate race—then fires the starting gun on page one. The plot bounces between Dr. Taylor Abrahms, an earnest ER resident refining a “Virtual Heart” laser-surgery platform, and Senator Randolph McIntyre, a savvy populist who smells political gold in attacking Big Tech. Their collision course is set the moment a frantic programmer is gunned down on his way to the Justice Department, and the tension never really lets up.

Characters drive the fun. Abrahms is the sort of bright-eyed idealist who still believes science can change the world if you just work hard enough, while McIntyre is a back-slapping master of the photo-op who weaponises public fear with chilling ease. The supporting cast pops off the page too—think caffeine-fueled coders, hospital lifers who can fillet a budget request with two sharp questions, and money-men who treat venture capital like live ammunition.

What makes the thriller click is how grounded the breakthrough tech feels. Severin layers in the grant meetings, committee approvals, and cost-benefit knife fights that usually get hand-waved in this genre. When Abrahms finally demo-drives his digital heart, it’s exhilarating and utterly believable—but you can feel lobbyists and bureaucrats waiting to pounce the second something misfires.

Beneath the chase scenes and Senate hearings lurks a real ethical debate: how far should medicine bend to politics, and who actually benefits when it does? Severin lets those questions simmer without slowing the pace. A couple of late-book twists flirt with movie-villain bombast, yet the breathless energy carries them over the line and straight into a satisfyingly tense finale.

Summary:

Overall, Deadly Vision is a big, crunchy page-turner for anyone who likes their techno-thrillers wired with hospital monitors and Beltway intrigue. Expect smart science, messy conspiracies, and a hero stubborn enough to keep swinging even when the stakes jump from research funding to national security. Happy reading!

Check out Deadly Vision here!

 

Review: Stitches by Julie L. James

~ likelystory18 ~ Leave a comment

Synopsis:

After an unpleasant experience getting stitches leaves her disenfranchised with doctors, Hero Atticus Taylor decides to be proactive. Capitalizing off of her literary-inspired name, she creates the Hero Atticus Taylor School of Manners for All Doctors, and uses both her prejudice toward doctors and her passion for Emily Post to educate medical students in all forms of etiquette. Her job has been a fulfilling and successful endeavor, until an agitating interaction with a former heart surgeon has Hero’s manner betraying her.

Doctor Lee Taylor is interested in enrolling the surgical students he oversees in Hero’s manners school but he can’t help himself from asking her on a date within minutes of meeting her. He is direct, decisive, and confident. Hero’s refusal and assumption that he is just like every other doctor who belittles her profession, only makes her more interesting to him. Even though he is completely smitten with Hero, Lee cannot see to gracefully reveal his secrets as their courtship continues.

Favorite Lines:

“If you leave this school having learned one thing, let it be this: Manners are the glue of society.”

“Don’t you all think she should have to go out to dinner with me to make up for the ruined sweater, and the permanent scar I’ll have on my stomach until I die?”

“Yes. My doctors permit me to have two cups a day. One with children so that I can scare them half to death, and one with a beautiful face for the evenings.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Julie L. James’s Stitches starts with what feels like a rom-com collision in a hospital corridor: Hero Taylor, etiquette coach extraordinaire, is determined to civilize doctors, while superstar surgeon Dr. Lee Taylor strides in convinced he needs no polishing. Their very first run-in—complete with an airborne water bottle—makes it clear the book will balance slapstick energy with a sharp look at professional pride.

Hero’s crusade for better bedside manners grew out of a childhood accident that left her literally stitched together and philosophically convinced that courtesy saves lives. The classes she runs at her “Madhatters School” offer endless comic fodder as she pits teacup drills and mock-patient role-plays against Lee’s arched-eyebrow scepticism. Their back-and-forth lands because both characters mean well; it’s just that one teaches polite small talk and the other performs trauma surgery.

Halfway through, the story pivots: Lee reveals a personal health crisis that suddenly makes Hero’s lessons feel less like window dressing and more like survival gear. The tension between keeping calm for patients and facing your own mortality gives the romance real weight, turning former sparring partners into reluctant confidants.

James keeps the mood light with zippy dialogue and meme-ready banter, yet she layers in enough medical detail and emotional honesty to ground the comedy. Late-night heart-to-hearts, a chaotic children’s tea party, and a surprisingly tender discussion of Greek myths all showcase writing that moves smoothly from laugh-out-loud to lump-in-throat without whiplash. The result is a love story that respects both the scalpel and the spoon.

Summary:

Overall, Stitches is a breezy weekend binge for readers who like their enemies-to-lovers stories sprinkled with hospital drama and anchored by genuine stakes. Expect quick laughs, a few gut-punch moments, and the feel-good reminder that a little kindness—delivered at exactly the right moment—can be as healing as any procedure. Happy reading!

Check out Stitches here!