Review: The Crowned Flame: Illuminated Songs of Becoming by Aroya Wallace

Synopsis:

The Crowned Flame: Illuminated Songs of Becoming What does it mean to become?

Perhaps becoming is not the journey toward someone new, but the quiet return to who we have always been.

The Crowned Flame: Illuminated Songs of Becoming is an illuminated Songbook of poetry, music, and art exploring ancient memory, sacred love, creative imagination, spiritual awakening, and return.

Across seven lyrical movements, these Songs of Becoming journey from the first spark of creation, through forgetting, longing, love, remembrance, and transformation, before returning once more to the quiet landscape of the human heart.

More than a book

This beautifully illustrated hardcover was created as a companion to the recorded album by Aroya Wallace, available on major music streaming platforms.

Each song is accompanied by richly illuminated artwork, inviting readers to pause, reflect, and linger. Whether experienced as poetry, music, or both together, every page offers another doorway into wonder.

Inside you’ll discover

• Seven original illuminated songs

• Full-color companion artwork throughout

• Mystical and inspirational poetry

• Themes of memory, love, imagination, and becoming

• A keepsake edition created for slow, contemplative reading

Perfect for readers who enjoy

• Illuminated poetry

• Mystical literature

• Inspirational verse

• Beautiful gift books

• Sacred art

• Thoughtful reflection

Approach softly.

Listen deeply.

And perhaps remember something beautiful that has always lived within you.

Favorite Lines:

As always with collections such as this one, rather than picking favorite lines, I am picking two of my favorite overall pieces to highlight which were The Seven Gates and Cross Every Veil.

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

The Crowned Flame is one of those books that is a little difficult to put into a single category. It is poetry, but it is also a songbook, a visual experience, and almost a small mythology of its own. The seven songs are connected by this idea of becoming and remembering: losing pieces of yourself, moving through grief and uncertainty, finding love, and eventually making your way back toward something that feels like home. Wallace actually describes the collection as moving through “forgetting, longing, remembrance, awakening, and return,” and that really is the thread holding everything together.

The first few songs establish the almost mythological feeling of the collection. The Crowned Flame begins on a cosmic scale, with two connected beings separated as one enters a mortal existence and gradually loses the memory of where she came from. That idea of forgetting and remembering becomes one of the strongest threads throughout the book. I Am Becoming brings it inward, focusing more on identity and the feeling of slowly recognizing something within yourself, while The Seven Gates takes the journey through some darker territory. There is grief, shame, old wounds, survival, and the different versions of ourselves we collect along the way. 

I especially enjoyed how the meaning of love changes as the collection goes on. In Cross Every Veil, it initially feels like the story of two souls trying to reach one another despite existing on opposite sides of a physical and spiritual divide. But it gradually becomes less about romance alone and more about what connection can teach us about ourselves. The Queen of the Grove takes that even further by turning toward compassion, grief, and the quieter ways people can care for each other. There is a gentleness to that section that stood out to me, particularly in the way the Queen’s strength comes from offering other people somewhere to rest rather than from having any conventional kind of power. 

The visual presentation is also a huge part of the experience. Nearly every section is surrounded by ornate details and fantasy-inspired artwork filled with stars, flames, forests, glowing landscapes, crowns, and other recurring symbols. It gives the book the feeling of an old illuminated manuscript crossed with a modern fantasy art book. The images aren’t simply illustrations of whatever is happening in the accompanying poem, either. They’re meant to create pauses between the words, and I found myself spending almost as much time looking at some of the artwork as I did reading the actual songs. That slower pace seems very intentional. 

The writing itself is unapologetically spiritual and symbolic, so I don’t think this will necessarily be a collection for everyone. It isn’t particularly interested in grounding its ideas in everyday reality. Instead, Wallace writes about souls, ancient connections, memory, transformation, unseen worlds, and the idea that becoming yourself can sometimes feel more like remembering yourself. There is also quite a bit of repetition, but knowing these were written as songs made that feel much more natural to me. Certain phrases and images return almost like choruses and help connect sections that otherwise have very different moods. The companion album aspect is actually one of the more interesting things about the project because the poems feel designed to exist somewhere between something you read and something you hear.

Summary:

Overall, The Crowned Flame feels more like an experience than a conventional poetry book. There is a surprisingly clear progression underneath all of the dreamlike imagery, moving from separation and forgetting into self-discovery, love, healing, and return. I think it works best when you don’t try too hard to decode every symbol and instead allow the imagery and ideas to wash over you a little. It is unusual, very earnest, and visually beautiful, and I can see it really connecting with readers who already enjoy poetry that has a mystical or meditative quality especially those who enjoy spiritual or metaphysical poetry, mythology and symbolism, visually beautiful books, meditative writing, fantasy-inspired imagery, and poetry collections that tell a larger story across individual pieces. Happy reading!

Check out The Crowned Flame: Illuminated Songs of Becoming here!


 

Review: Steel Slides and Yellow Walls by Alicia Swain

Synopsis:

In Steel Slides and Yellow Walls, Alicia Swain navigates the labyrinthine journey women undergo to form their identities. Through a feminist lens and distinctive voice, her collection veraciously portrays the trials that forge women into sagacious, resilient adults. From contemplation of how to balance mental health despite knowing what tribulations are sure to come, to the title poem’s exploration of how traumatic memories can continue to haunt in the most unexpected situations, Swain offers a look at the diverse experiences that mold women into the tenacious beings they are.

Favorite Lines:

As I do with all my short story and poetry collection reviews, rather than sharing favorite quotes, I am sharing a couple of my favorite poems from the collection: Melancholy Sea and Progress.

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Swain’s debut poetry collection is arranged in four movements—ASK, EXPERIENCE, RECOVER, and GROW. The early poems interrogate everything we’re taught to revere (church, family, small-town courtesy), and the questions don’t land politely; they leave scorch marks. By the time we reach “Recover,” you can feel the speaker’s lungs straining for air, every line break a gasp.

What hooked me first was the mash-up of bodily grit and lit-class reference. One minute we’re in a fluorescent corridor counting bruises, the next we’re weighing “fire and brimstone” against the smell of burning pages . That collision—philosophy crashing into living tissue—makes the anger ring out. Yet there’s tenderness too, tucked between the ribs: Swain lets small moments of care flicker in, just long enough to keep the reader breathing.

Structurally, the poems feel like they were written on a tightrope. White space widens whenever the emotion tips toward overwhelm, then contracts to a single punch-in-the-gut sentence. Repeated images—yellow paint, steel playground equipment, water—stitch the book together, so even the looser, more experimental pieces never drift far from the central pulse. It’s a risky balance of accessibility and formal play, but it pays off.

Readers who appreciate lyric experimentation will find plenty to admire, while those new to contemporary poetry will still be carried along by the clarity of the speaker’s emotion.

Summary:

Unflinching yet ultimately restorative, Swain’s debut is for readers who crave poetry that stares down cruelty and answers with hard-earned self-authority. If you value collections that marry bold feminist critique with lyrical grace, Steel Slides and Yellow Walls deserves a place on your shelf. Happy reading!

Check out Steel Slides and Yellow Walls here!


 

Review: Behind the Ghost Metropolis by Annette Dabrowska

Synopsis:

Fans of Sylvia Plath, “The Flower That Went Mad” and Charles Bukowski will find pieces of themselves in this edgy debut poetry collection.

I look right through the light
it fills me with courage and strength
to fight against my demons
I’m not alone anymore
I slowly stand up


Behind the Ghost Metropolis dives into the shadows of the mind—mental health, trauma, loneliness—but it also finds light in hope, travel, and resilience. Written during Annette’s manic and depressive episodes, these poems are raw and deeply personal, reflecting her struggle with bipolar disorder and her fight to rise above the odds.

She wrote these poems to break the stigma around mental illness and to remind anyone feeling lost or defeated that there is always hope. This book is for those who’ve been knocked down, dragged through darkness, and still seek their own hidden light.

When writing, Annette draws inspiration from some of the greatest poetic minds in American and Polish contemporary poetry – Sylvia Plath, Anne Sexton, Beatniks, Charles Bukowski, Edward Stachura, and Rafał Wojaczek.

Just like her favorite poets, she often finds herself in different dimensions of cruel whispers, far from the dreamland. But that’s the price she pays for her creations, and she keeps writing because of this artistic force inside her heart and mind.

Favorite Lines:

As I do with all short story and poetry collections, rather than picking out specific lines, I would like to highlight a few of the poems that resonated the most with me:  Youth, Wild Horses, Illusion, 43. ***, 45. ***

My Opinion:

I received a copy of this book from the author in exchange from my honest opinion.

I would like to put a trigger warning as this collection does deal with complex subject matters such as mental health and trauma and may not be suitable for everyone.

I have always been a big fan of poetry but it is not often that I get a request to review a collection on Likely Story so I knew I had to jump at the chance especially when reading that Dabrowska draws inspiration from many poets including Charles Bukowski; who I adore.

Annette Dabrowska’s debut poetry collection, Behind the Ghost Metropolis, is an evocative exploration of the human condition that dives deeply into themes of mental health, trauma, resilience, and hope. This raw and intimate collection balances a hauntingly beautiful portrayal of darkness with moments of light and healing, creating a vivid emotional journey that resonates on a deeply personal level.

Dabrowska’s prose is striking in its simplicity and power. With language that is both unflinching and tender, she captures the turmoil of inner battles and the fragile yet indomitable strength of the human spirit. Each poem feels like a window into the poet’s soul, offering readers a sense of shared experience and connection. Her ability to weave universal emotions into such personal reflections is what makes this collection truly remarkable.

The book is a masterclass in balancing vulnerability with empowerment. Poems reflecting on loss, despair, and loneliness are interwoven with moments of courage, self-discovery, and the search for freedom. Dabrowska’s imagery strikes a chord that lingers long after the final page.

One of the collection’s greatest strengths is its accessibility. Dabrowska doesn’t rely on ornate language or obscure references to convey her emotions. Instead, she uses plain yet poignant language that cuts straight to the heart, making these poems feel like personal confessions shared in trust. This openness invites readers to find pieces of themselves within the lines, creating a deeply immersive experience.

The shorter poems in particular stand out, delivering bursts of raw emotion that are both intense and immediate. At the same time, the collection’s longer pieces delve into the complexities of human resilience, showing that even in moments of despair, there is always a glimmer of hope to be found.

Behind the Ghost Metropolis is a testament to the power of poetry to heal, connect, and inspire. It’s a collection that reminds us that we are never truly alone, even in our darkest moments, and that strength can be found in embracing vulnerability. Whether you’re a seasoned poetry lover or new to the genre, this collection offers a deeply moving and unforgettable experience.

Summary:

Overall, I would highly recommend this collection of poems for anyone seeking a raw and relatable exploration of the human spirit. Dabrowska’s voice is a powerful addition to contemporary poetry, and her debut is sure to leave a lasting impact.

Check out Beyond the Ghost Metropolis here!