Tag: Likely Story book review blog

Review: Echoes of a Wild Girl’s Drum by Tiffini Johnson

~ likelystory18 ~ 2 Comments

Synopsis:

I was seven when they tied me to the stake.

They wanted me to burn, burn, burn like Nángi. I threw blackjack petals in her ashes, but not even the strongest herbs can make dead mothers come back. Nobody threw blackjack petals for me, but when my turn came, a boy broke rhythm for me instead — the village drummer, the Commander’s ward — and he was scarred for it.

So I ran. Into the forest, into the dark. I learned to sleep where nothing could find me and eat what the forest gave and trust tree kangaroos and cuscuses before people. I forgot almost everything — except the boy who cut me loose from the stake. Except the tree where we carved a spiral with hair and blood and a poem nobody knows. Except the night we climbed so high the whole sky cracked open and I told him there were a million hundred stars. Except our beat — tap boom tap, tap boom boom tap — that belongs to no one else in the world. He was the only thing I kept.

Women burn in this village. They burn for sick children. For failed crops. For the herbs they keep. Some are tired. Some are angry. Some pass secrets. But I didn’t decide to come back. Something small needed me to.

And now they know: the witch’s daughter didn’t die twelve summers ago.

I know the sound the drum makes before whispers spread like fire.
The air already smells like smoke.

Only now the boy who once broke the rhythm is a man.
And I am no longer seven years old.

Favorite Lines:

“We are strong. We are brave. We are women.”

“The wind blows against my skin while my heart beats fast. In my head, I imagine tapping against the drum, keeping the pressure of the beat just so. The first time I played the Heartbeat and people spilled out into the streets, opened their shops, hitched wagons, and began their day, I felt it. Power. The drumbeat gave the village the knowledge that it was time to begin a new day. The drumbeat acts as the village’s sun. I am the village’s sun. And now I will learn to be its moon.”

“I’m talking in circles, jumping from one thing to the next, just like Salu, but you said spirals lead us home. You are my home. Listen to me.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

This is one of those books that grabs you from the first few pages and really doesn’t let go. The opening is heartbreaking, but it’s also the kind of scene that tells you exactly what kind of story you’re stepping into. It’s heavy, emotional, and not afraid to sit with uncomfortable realities.

The story is set in the Highlands of Papua New Guinea, and that setting never felt like just a backdrop. It becomes part of everything, from the traditions and village life to the way the characters understand the world around them. I especially loved how the drum wasn’t just an instrument. It became a language, a responsibility, and a symbol that carried so much meaning throughout the novel. The cultural details felt woven naturally into the story instead of stopping everything to explain them.

I was a really big fan of the dual perspectives. Seeing the world through young Soryelle’s eyes is absolutely devastating because of her innocence. She notices smells, sounds, plants, animals, and little moments that make the tragedy around her hit even harder. On the other side, Maikel’s chapters add a completely different layer as he wrestles with duty, tradition, and what kind of man he wants to become. Watching those two perspectives slowly build toward each other kept me invested the entire time.

The writing itself is very sensory. You can practically smell the smoke from the mumu fires, hear the rhythm of the drums, and picture the forests and mountains. At times it almost reads like someone telling you a story around a fire rather than a traditional historical novel, which fit the atmosphere really well.

This is definitely not an easy read though so get ready to cry. Johnson doesn’t shy away from trauma, grief, or the lasting effects of violence, and there were several scenes that were difficult to get through emotionally. At the same time, the book never felt hopeless. Underneath all of the pain is a story about resilience, healing, connection, and choosing compassion over fear. Even some of the quieter moments between characters carried just as much emotional weight as the bigger ones.

Summary: 

Overall, this was a beautifully written and emotionally powerful novel that stayed with me long after I finished it. It’s the kind of book that asks difficult questions about humanity while still leaving room for hope. I’d recommend it to readers who enjoy emotional historical fiction, character-driven stories, literary fiction, and novels that explore resilience, culture, and hope after unimaginable loss. 

You can find the book trailer here
Check out Echoes of a Wild Girl’s Drum here!

 

Review: The Splintered Parts by Ana Yudin

~ likelystory18 ~ Leave a comment

Synopsis:

Someone—or something—is trying to bury itself inside Soraya’s skin.

It started her sophomore year of college, after she slipped in the shower and hit her head. Since then, nothing has felt real. The lights flicker all at once. She hears tapping at her window, and someone outside keeps calling her name.

Desperate to understand what’s happening to her, Soraya enters a neuroscience doctoral program in the Southwestern desert. But the deeper she dives into her studies, the more the line blurs between reality and distortion.

As a rare solar eclipse approaches, Soraya races to uncover the mystery. Eclipses have a way of exposing what’s been lurking in the dark, and if Soraya gets it wrong, she may lose far more than her sanity.

Favorite Lines:

“Just because something felt real didn’t mean it was.”

“Soraya hated the ‘tell me about yourself’ question. She was supposed to toe the fine line between personable and professional. If she answered frankly with a narration of her autobiography, then she’d seem too personal and self-involved. But if she answered too professionally, she’d be deemed impersonal—and likability was important currency in the world of academics.”

“Not everyone is so sure of their passion in life like you seem to be. Some of us look and look for it, but it never comes.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Psychological thrillers can be difficult to pull off because they ask readers to question everything they’re seeing without making the story feel unfair. The Splintered Parts does a nice job walking that line. From the opening chapters, there’s an unsettling feeling that something isn’t quite right, and while the book introduces plenty of possible explanations along the way, it never rushes to give the reader answers. Instead, it slowly builds an atmosphere of uncertainty where every strange event leaves you wondering whether Soraya is dealing with a mental health crisis, something neurological, something supernatural, or perhaps a combination of all three. I found myself constantly second-guessing what I thought was happening, which is exactly what I want from this type of story.

Soraya is an interesting main character because so much of her internal conflict exists outside of the mystery itself. She’s a neuroscience Ph.D. student researching consciousness and near-death experiences, but she’s also someone who can’t seem to shake the feeling that she’s living a life she didn’t entirely choose. Throughout the story, the tension between pursuing a practical career and pursuing something that genuinely fulfills her becomes just as compelling as the strange events surrounding her. I also appreciated that the scientific discussions never felt like they were there simply to sound impressive. They fit naturally with Soraya’s academic interests and gave the mystery a unique angle that separates this from many other psychological thrillers.

The relationships were another highlight for me. Soraya’s friendships, her complicated relationship with her family, and especially her interactions with her younger sister all add another layer to the story. There are moments where the family dynamics feel painfully realistic, particularly when expectations, comparisons, and career choices come into play. Even when I didn’t always agree with Soraya’s perspective, I understood why she reacted the way she did, which made her feel like a believable and flawed protagonist rather than someone who was simply easy to root for.

The atmosphere is probably what stayed with me the most after I finished reading. The Arizona desert, the hiking trails, the research lab, and Soraya’s apartment all gradually become places that feel just a little off, creating an almost dreamlike sense of unease. Yudin also does a good job weaving together psychology, folklore, neuroscience, and speculative ideas without losing sight of the emotional story underneath. By the end, I found myself thinking less about the mystery itself and more about the questions the novel raises regarding identity, purpose, and the different versions of ourselves that might exist because of the choices we’ve made throughout our lives.

Summary:

Overall, The Splintered Parts is an ambitious psychological thriller that blends science, suspense, paranormal elements, and introspection into something that feels different from many books in the genre. Readers who enjoy stories that slowly unravel rather than relying on constant action will likely appreciate the pacing, and anyone interested in unreliable perceptions, consciousness, speculative science, or character-driven mysteries should find plenty to enjoy here. It’s a thoughtful story that asks readers to question not only what’s happening to the main character, but also how much our own identities are shaped by the paths we choose to follow. Happy reading!

Check out The Splintered Parts here!

 

Review: Daughter of the Golden Realm by Eva Barber

~ likelystory18 ~ 1 Comment

Synopsis:

Emery inherits a mystical necklace and a cryptic warning of its importance to humanity’s survival. When her mother’s body vanishes, Emery leads a band of refugees into a desolate, post-apocalyptic world and an eerie underground city, ruled by unscrupulous and immortal beings. Grieving her mother’s death, haunted by visions emitted by the necklace, and pursued by assassins enhanced by the technology her mother had invented, she uncovers a conspiracy that stretches from a dying Earth to the fabric of the universe itself. But things get even more complicated when a mysterious woman kidnaps her beloved Peter. She and her small group race against time to find him and stop a cosmic threat. Once again, destiny forces Emery to embrace her fate, which is far greater and more terrifying than she ever imagined, and to make an impossible choice.

Favorite Lines:

“Have hope. We’ll see stars again.”

“You need to be vicious to protect the ones you love.”

“Don’t be afraid…I’ll be with you all the way.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Daughter of the Golden Realm throws you immediately back into Emery’s complicated world, where every answer seems to uncover even more questions. She is still dealing with grief, uncertainty, and the strange golden necklace left to her by her mother, while also trying to understand what the Masters have done to the world and what role she is supposed to play in whatever comes next. There is a lot happening in this installment, but underneath the science fiction, dystopian conflict, and mythology, I thought this was really a story about Emery trying to understand where she belongs and how much of herself she is willing to give for the people she loves.

One of my favorite parts of the book was watching the world gradually open up beyond the gray underground city. The ruined landscape Emery and the others travel through is bleak, and some of the imagery makes the destruction feel much more tangible than simply being told that the planet has died. At the same time, the group begins encountering more survivors and learning that the situation is not as simple as humans versus monsters. I appreciated that the story allows for more moral gray area here. Emery can be impulsive and incredibly stubborn, but her refusal to completely give up on people is also one of the things that makes her feel like herself.

The middle of the book leans more heavily into the rebellion against the Masters and feels like a larger-scale dystopian adventure. The group uncovers more about how the gray world operates, who benefits from it, and how much control has been built into this supposedly improved society. The book has a fairly pointed environmental and social message, especially around power, inequality, immortality, and the idea of preserving a select few while everyone else suffers. It is not always subtle, but it fits the exaggerated scale of the world and gives the conflict more weight than a simple good-versus-evil setup.

For me, though, the strongest material is the more personal side of the story. Emery’s relationships with Peter, Sebastian, Tirg, Danuta, and her mother remain central even as the plot becomes much bigger. There is a constant tension between Emery wanting to protect everyone herself and the people who love her refusing to let her carry everything alone. The romance also has a bittersweet quality because Emery and Peter’s connection has always existed alongside questions about time, dimensions, and whether two people can really continue finding one another no matter what happens.

The final portion of Daughter of the Golden Realm becomes much more mythic and blends science fiction with fantasy, ancient symbolism, prophecy, and cosmic mystery. The book’s scope expands considerably, but it still comes back to Emery and the people she is fighting for. I liked that the story never completely loses sight of that emotional core, even when the world-building becomes much stranger and more ambitious. This installment answers some major questions while also opening the series into something much larger, and I think readers already invested in Emery’s journey will probably find a lot here to enjoy.

Summary:

Overall, Daughter of the Golden Realm is an ambitious mix of post-apocalyptic science fiction, dystopian rebellion, fantasy, mythology, romance, and family drama. The story follows Emery as she and her companions continue searching for answers about the destroyed Earth, the Masters, the mysterious golden necklace, and Emery’s own connection to forces she still does not fully understand.

I think this book would appeal most to readers who enjoy genre-blending speculative fiction, complicated world-building, found and biological family dynamics, environmental themes, supernatural or science-based powers, dystopian resistance stories, and romances built around the idea of soulmates finding one another across impossible circumstances. Because this story continues a much larger series mythology, I would definitely recommend reading the preceding Dark World books first rather than treating this as a standalone. Happy reading!

Check out Daughter of the Golden Realm here!

 

Review: The Weight of Snow by Sal Nudo

~ likelystory18 ~ 1 Comment

Synopsis:

The past doesn’t wash away. It just freezes over.

For fourteen years, Alex Neitzel has lived a life built on a foundation of silence and blood money. To the residents of Champaign-Urbana, he is a wealthy, solitary remote copywriter. To his teenage children, Sammy and Cecelia, he is a ghost—a cold, self-absorbed father who nurses a bottle of Scotch in a silent house where nobody truly talks.

But Alex is living in a prison of his own making, haunted by a brutal midnight memory: his brother Trevor, dead at the bottom of a frozen playground structure in Cameron Park. Every night at exactly 2:49 a.m., his fracturing mind punishes him with the phantom echoes of that horrific winter night.

Then, a knock comes at the front door.

Two local cold-case detectives are rattling old trees, armed with a deathbed confession from a witness who knows too much about the money Alex inherited after the “accident.” As the psychological chess match with the police tightens around him, Alex panics. Desperate to find an escape hatch, he risks everything on a shadowy, international investment opportunity in Brazil—only to find himself blindly stepping into the trap of a lethal predator.

With his fortune stolen, his children severing ties, and the authorities closing in, Alex is forced to engineer the ultimate exit strategy: staging his own death on the freezing waters of Lake Michigan.

A haunting, slow-burn exploration of guilt, isolation, and familial decay, The Weight of Snow is a gripping literary noir character study that asks a terrifying question: How far can a man run when the monster he’s fleeing is himself?

Favorite Lines:

“Inside the foyer, Ratatouille was whining, her little tail thumping against the floor in a frantic welcome, but Alex walked right past her, staring blindly into the dark hallway, the ghost of his brother breathing heavily down his neck.”

“He needed this. He needed a new sky.”

“What am I not running from?”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

The Weight of Snow is a dark, surprisingly compact psychological crime story about a man who has spent fourteen years waiting for the worst thing he has ever done to finally catch up with him. Alex Neitzel has money, a beautiful home, and two children who will never have to worry financially, but his actual life is pretty miserable. His relationship with his son, Sammy, is openly hostile, his daughter, Cecelia, is basically holding the household together by herself, and Alex spends most of his time drinking, hiding in his office, and being haunted by the death of his brother Trevor. When two detectives show up asking questions about Trevor’s supposedly accidental death, Alex immediately knows exactly how much trouble he is in.

What I found most interesting about this book is that it doesn’t really try to make Alex’s guilt a mystery. We learn fairly early that Trevor’s death wasn’t an innocent accident and that Alex’s fortune is tied to what happened that night. Instead, the tension comes from watching someone who has gotten away with something terrible for fourteen years suddenly realize that the walls might finally be closing in. Alex is not an especially sympathetic character, but he is an interesting one because there are moments where you can see that he genuinely loves his children and recognizes how badly he has failed them. Then, almost immediately, his fear or anger takes over and he treats them horribly again. The scenes between Alex, Sammy, and Cecelia were actually some of the strongest parts of the book for me because the damage Alex has caused isn’t limited to the people who died. His guilt has seeped into every part of the family’s life.

The Brazil storyline takes the book in a direction I wasn’t initially expecting. Alex becomes so desperate to escape the reopened investigation that he jumps at what appears to be an opportunity to invest in a legitimate Brazilian gardening business, only to discover that Francisco Silva is supposedly running a massive criminal operation behind it. What makes this section work is how quickly Alex is willing to accept it. He has already convinced himself that he crossed the moral line years ago, so becoming involved in something even darker doesn’t seem like much of a leap if it can buy him a new identity and a way out. Of course, the irony is that Francisco is not actually offering Alex salvation at all. He is a con man who specifically targets wealthy, desperate people with secrets, and Alex is almost the perfect victim. Watching a man who built his entire life on deception get spectacularly deceived himself was probably my favorite twist in the story.

I also liked that the book doesn’t give Alex an easy redemption arc. Even when he loses his money, stages his own suicide, abandons his children, and flees halfway around the world, there is no sense that he has actually escaped. The final scene in the Akatarawa Forest brings the story back to its central idea in a way that worked for me. Alex has managed to leave behind the police, his identity, his wealth, and even his family, but none of those things were ever the real source of his imprisonment. He is still carrying Cameron Park with him. I thought the ending was appropriately bleak because Alex technically succeeds at running away while also completely failing to escape the one thing he cannot outrun: himself.

Summary:

Overall, The Weight of Snow is a short psychological crime thriller about guilt, paranoia, family dysfunction, and the impossibility of escaping your own past. Rather than building its suspense around the question of whether Alex committed a crime, the story focuses on what happens when the consequences of that crime finally begin closing in fourteen years later. I especially liked the irony of Alex, a man who has spent years living a lie, becoming the victim of an elaborate con when he desperately searches for a way to disappear. The ending is bleak but fitting and reinforces the idea that Alex’s real prison has never been a physical place.

I would recommend this to readers who enjoy morally complicated protagonists, psychological crime fiction, dysfunctional family dynamics, stories about guilt and consequences, and shorter thrillers that move quickly. Readers who prefer traditional mysteries with a concealed culprit may find this less mystery driven than expected, since Alex’s guilt is revealed relatively early. It is much more about watching a guilty man unravel. Happy reading!

Check out The Weight of Snow here!

 

Review: There Be Dragon by Michael Tars

~ likelystory18 ~ Leave a comment

Synopsis:

THERE BE DRAGON is an adult epic fantasy with slow-burn romance in a sprawling world of magic, greedy demigods, and dark prophesies.

When the people of magical Kalador prayed for a savior, they summoned Kwe—a battle-scarred soldier from a futuristic Earth who is plagued by memories of his violent past. He’s told that an ancient Dragon’s spirit resides within him and that together they’re destined to protect the realm from hungry demigods plotting Kalador’s demise.

Now, voices of several Dragons crowd Kwe’s mind, each with their own agenda, all threatening to take over. Cut-throat court politics and strange magic, assassination attempts and threats of imminent war are bad enough; it’s worse to fall in love when romance is impossible. Though try explaining that to the amorous dragon within…

Common-born Kira didn’t expect to become the Chosen. Now she must bind the new Lord Dragon’s soul to Kalador. If only he’d see not just her duty, but also her love.

With threats multiplying, and Kira’s life on the line, Kwe’s only choice is to embrace the dragons—without losing himself in the process. He might be a pawn in some demigod’s secret game, but he won’t be broken or controlled.

With a nefarious demigod plotting from the bottom of the ocean, will Kwe’s newfound
Dragon powers and battlefield experience be enough to keep the country and those he loves safe?

An adult fantasy romance for fans of romantasy, dragons, forbidden romance, and mysteries demanding to be solved.

Favorite Lines:

“The hardest lies to see are those you tell yourself.”

“Nothing had changed, yet everything was different.”

“Wars were costly. Even for the victor.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

There Be Dragon opens like a futuristic military science fiction novel before abruptly turning into something completely different. Lieutenant Colonel Kwe is leading a raid in a technologically advanced version of Earth when he sacrifices himself to save his best friend and expects to die. Instead, he wakes up in the snow beneath a perfectly blue sky, surrounded by three girls who are convinced they have just summoned their country’s new Lord Dragon. Kira, Maya, and Kira’s younger sister Nora have been sent out as part of an ancient ritual meant to find Kalador’s new divine protector, and through either fate, magic, or some very enthusiastic pompoms, they find Kwe. It’s a strange setup, and the collision of genres gives the story an unusual starting point. Kwe tries to analyze everything through the eyes of a highly trained soldier from an advanced civilization, while everyone around him interprets his technology through the perspective of a world where magic and gods are completely real.

What I found more interesting than the actual “man from the future becomes a dragon” premise was the way Kwe reacts to the society he’s landed in. Kalador treats him as an all-powerful ruler almost immediately, but he is increasingly horrified by many of the traditions everyone else considers normal. This is especially true when it comes to the treatment of women. Kira was facing marriage to an abusive man, Maya’s father was essentially negotiating a price for her, and all three girls are suddenly told that they now “belong” to Kwe as his Maidens. Kwe’s refusal to simply accept that arrangement creates an interesting tension within the story. Even when he’s attracted to Kira, he is conscious of the fact that her society has given her very little real choice, and he doesn’t want his position as Lord Dragon to become another way for someone else to control her. That complicates their developing relationship, particularly as Kira tries to establish that what she wants is actually her own decision.

Kwe also begins challenging Kalador’s traditions in smaller ways. He isn’t only interested in defeating enemies with futuristic weapons or demonstrating how technologically superior his world was. He cooks, insists that his Maidens eat with him, recruits women as fighters and bodyguards, teaches the girls to defend themselves, and treats servants and commoners with a level of respect that repeatedly confuses the people around him. These moments help establish the kind of ruler Kwe intends to be, although I did find there was sometimes a disconnect between the story’s criticism of Kalador’s treatment of women and the way its female characters were presented elsewhere in the narrative. One particularly meaningful moment comes when Kwe meets Moira, the cook who cared for Kira and Nora when their own family failed them. Rather than dismissing her as a servant, Kwe kneels before her, thanks her, and promises to care for “her girls.” It’s a relatively small moment compared to the larger political conflicts surrounding Kalador, but it reveals quite a bit about how Kwe sees the people who have unexpectedly become part of his life.

There is plenty of action, magic, political maneuvering, romance, and humor, with the relationships between Kwe, Kira, Maya, and Nora forming a significant part of the story’s emotional foundation. Kwe begins the book mourning a life he believes he has lost, but over time, Kalador stops feeling quite so much like somewhere he has accidentally landed and starts becoming somewhere he genuinely wants to protect. The ending leaves the larger story unfinished, particularly when it comes to Leviathan and the threats gathering around Kalador, while still bringing Kwe’s personal journey in this installment to an important turning point. By the final pages, the people gathered around him represent the connections he has formed in a world that was completely foreign to him when the story began.

I do want to flag that there are some parts of this book that are, in my opinion, problematic. While I appreciated the novel’s emphasis on consent and Kwe’s efforts to challenge Kalador’s treatment of women, I sometimes found the repeated focus on the women surrounding him and their attraction to him excessive. There were also a few adult-oriented jokes involving a much younger character that I personally found uncomfortable and unnecessary. These elements occasionally distracted me from what I thought were the more interesting aspects of the story, particularly the clash between Kwe’s futuristic values and the traditions of his new world. Because these elements may be significant for some readers, I think they are worth mentioning as part of my overall experience with the book.

Summary:

Overall, There Be Dragon is a genre-blending portal fantasy about a futuristic soldier who finds himself transported into a medieval world and mistaken, or perhaps correctly identified, as its newly summoned Lord Dragon. As Kwe tries to understand his new powers and the Dragon sharing his consciousness, he also has to navigate a society whose traditions surrounding class, gender, marriage, and political power often conflict sharply with his own values.

I think this may appeal to readers who enjoy portal fantasy and isekai-style stories, powerful protagonists, science fiction mixed with traditional fantasy, dragons, political worldbuilding, found family, and stories where a modern or futuristic character introduces new ideas into a less technologically advanced society. Readers should also be aware that the book contains a significant romantic and sexual component, including some material that may be uncomfortable for certain audiences. The story also deals with darker subjects involving abuse, exploitation, sexual violence, assassination attempts, and war.

You can find the book trailer here
Check out There Be Dragon here

 

 

Monthly Features – July 2026

~ likelystory18 ~ Leave a comment

Eidolon: From the Case Files of the OHR by C.L. Stiles

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: When a man vanishes from a Kansas City diner — pulled through reality by forces no one can explain — Nathan Quipp knows it’s only the beginning.

As director of the Office of Hidden Realms, Nathan has spent his career keeping the supernatural world invisible to those who can’t handle the truth. But something is moving even deeper beneath the surface. Ley lines are surging. Cross-realm incursions are rising. And a near-divine source whispers the need to find the missing man — the Eidolon.

Now Nathan’s team is scattered across two continents and twelve centuries, racing to piece together a mystery that reaches from the streets of Kansas City to ancient Stonehenge and back again. The Veiled world is fracturing. The Unveiled are running out of time.

And something much older than the OHR is finally paying attention.

Eidolon: From the Case Files of the OHR is the first installment of the OHR Case Files.

Summary: Eidolon is an urban fantasy/paranormal mystery novel centered around the Office of Hidden Realms, a secret organization dealing with supernatural threats hidden beneath everyday life. The story mixes magical investigations, folklore, ghosts, fae, monsters, prophecies, and hidden conspiracies with a surprisingly emotional undercurrent about grief and identity. The tone balances humor, mystery, horror, and found-family energy while gradually building toward a much larger supernatural conflict. Readers who enjoy The Dresden Files, Supernatural, Men in Black-style organizations, SCP-style lore, paranormal procedurals, or ensemble urban fantasy casts will probably have a great time with this. 

See the full review here: Eidolon: From the Case Files of the OHR
Purchase here

 

The Meaning of Androsia by Eric Bush

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: It was a time of steam locomotives and horses, of city-states and principalities ruled by monarchs – but it did not take place in the past. It was a time of civil war between Protestants and Catholics over direct access to the Messiah – but the Messiah wasn’t Jesus. It was a place where Orthodox spires dotted the landscape, and people addressed each other with matronymics instead of patronymics – but it wasn’t a Slavic country, or even in Europe or Asia. It was a culture that venerated the great writers and composers from prior centuries – but their names were not Bach, or Shakespeare, or Beethoven. And when mid-winter rolled around, everyone celebrated the traditional holiday by decorating fir trees – but it was not Christmas. In short, it was a time very much like past centuries of our own – except that it was different. Something had happened to change the course of history.

Thus begins the story of Ilya Erynovich and Katerinya Emlynovna, a lifelong search for the meaning of something from the past. Ilya doesn’t know where he came from, or how old he is. He seems to know things he couldn’t possibly have learned. He has skills he couldn’t possibly have acquired. He is sought out, and sometimes captured, by political and religious leaders, and constantly followed by anonymous stalkers.

At first, he doesn’t even know that he is Ilya. He wakes up one evening in a train station, unable to remember anything about himself, including his own name. As he searches for someone – anyone – who might know who he is, he encounters Katerinya, a young writer, who takes an interest in his predicament and offers to help. She takes him in, and although strangers, they soon develop a mutual affection that blossoms into love.

This turns out to be good memory therapy for Ilya, and he recovers his knowledge of the last 20 years or so – but then it becomes stuck. He can’t remember anything prior to that. And it soon becomes clear to them that Ilya’s past self has left messages for his present self – there is something about the past that his present self needs to know – but the clues are cryptic and hard to decipher.

Over the course of a 24 year love affair, buffeted by political and religious intrigue, two epidemics, and a civil war, Ilya and Katerinya finally figure out who he really is…or was. But it’s not what either had expected.

Summary: The Meaning of Androsia is an ambitious speculative mystery that combines post-apocalyptic science fiction, romance, political intrigue, religion, genetics, philosophy, and alternate future history. It follows an amnesiac professor trying to discover who he is and why people are pursuing him, only for that personal mystery to gradually uncover a much larger story about a civilization that lost most of its connection to its own past.

I think this would especially appeal to readers who enjoy big-idea speculative fiction, stories about lost civilizations and reconstructed history, scientific mysteries, philosophical discussions about religion and knowledge, and slow-burning mysteries where seemingly minor clues eventually connect to a much larger explanation. Readers who enjoy a strong central romance alongside their science fiction may also really like Ilya and Katerinya. It will probably be a harder sell for readers who prefer very fast pacing or minimal exposition, because this is a long novel that frequently pauses the central plot for extended conversations about science, religion, history, literature, politics, and human behavior. 

See the full review here: The Meaning of Androsia
Purchase here

 

Review: Fire Breathes Stone and Storm by Teresa Hakaraia

~ likelystory18 ~ 1 Comment

Synopsis:

Sekya has spent her life making herself small.

Raised in an orphanage alongside Khala, Riva, and Lio, she has done whatever it takes to keep her found family together — even if it means surviving in Silk House, a pleasure house in the fire dominion of Eratari.

On the world of Thyra, power belongs to the Taniva: rare shapeshifters who carry the blood of the first elemental creatures.

Sekya is not one of them.

Then one night, watching from the balcony, Sekya sees the Queen return in phoenix-drake form, her Taniva wings cutting through the dark, her wounded son carried on her back.

Then time just stops.

The city is motionless.

The Queen hangs suspended above the lake, her great wings caught in mid-beat. And on her back, wounded and dying, Prince Kairon lifts his head — and turns to find Sekya, as though he knows exactly who stopped the world.

From that moment, Sekya’s attempt to remain unseen becomes impossible. She begins to share dreams with Kairon, drawn into a connection neither of them understands and neither can ignore.

When the Queen comes searching for the girl from her son’s visions, she finds more than Sekya. She finds four young people who carry something she cannot name: a strangeness in them, a power she can feel but not identify. Whether they are the answer to saving her son, or a threat to him, the Queen does not yet know.

What follows will change everything they thought they were.

Khala holds fire.
Riva holds water.
Lio holds stone.
And Sekya — Sekya can hold time itself.

Four orphans. Four powers that should not exist. And a world of four dominions holding a peace none of them fully trust.

But the thread between Sekya and Kairon runs deeper than magic. Deeper than blood. Deeper than anything either of them knows how to name.

Some connections cannot be undone.

Some costs cannot be survived.

Favorite Lines:

“What I do know…is that you are not some mistake Silk House made. You and your family love each other fiercely. You protect each other. You are Eratari.”

“Last night, I had not wanted to become another thing a man wanted from me. I wanted to be seen. Wanting, on its own, was too easy. Men did it all the time.”

“You are the most beautiful woman I have ever seen. And you love me.”

“I only hope tomorrow finds us worthy of what comes after.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Fire Breathes Stone and Storm is the kind of fantasy that throws you into a fairly expansive world but keeps the emotional center of the story surprisingly intimate. At the center of the story is Sekya and the family she has created with fellow orphans Khala, Riva, and Lio. They have grown up relying on one another, and I liked that the story establishes those relationships as something worth protecting before their lives begin changing. As Sekya discovers there is more to her own identity and abilities than she realized, the world around the four of them starts opening up as well. What begins as a more personal story gradually introduces elemental powers, divided dominions, political tensions, and a mythology that suggests their lives are connected to something much older and more complicated than any of them know.

I thought Sekya’s struggle with belonging was one of the more interesting parts of her character. She’s fiercely protective of the people she considers family, but she doesn’t always extend that same confidence or sense of worth to herself. Her growing connection with Prince Kairon complicates things further, especially as the line between dreams and reality becomes increasingly difficult to understand. There is romance here, but I appreciated that Sekya’s story isn’t entirely defined by it. Her bond with the other orphans remains an important part of who she is, and there is an underlying tension between the life and family she already knows and the unfamiliar world that seems determined to claim her.

The world itself has a lot of moving pieces, and this definitely feels like the first installment of a series that plans to keep expanding. The elemental magic is only one part of it. There are four dominions with their own histories and conflicts, strange creatures, the mysterious Shell, and questions surrounding a sleeping god and the characters’ origins. I was particularly interested in the way the story touches on what happens when a society’s understanding of its own history is incomplete. Ariki’s experiences add another perspective to that idea, bringing prejudice and cultural identity into a story that could otherwise have remained focused primarily on magic and political conflict. There are still a lot of questions left unanswered, but I get the sense that many of the smaller details introduced here will become more important as the series continues.

The pacing does take its time, particularly as the story works to establish both its characters and a fairly complicated fantasy world. There were places where I thought things could move a little faster, but I also understand why so much groundwork was necessary for what appears to be a much larger story. I found myself more interested in the mysteries surrounding the characters and their connections to this world than in having every answer immediately. By the end, it becomes clear that what happens in this book is really only the beginning, so readers should go in expecting the start of an ongoing story rather than something that wraps everything up neatly.

Summary:

Overall, I thought Fire Breathes Stone and Storm was an interesting introduction to a fantasy world with plenty of room to grow. For me, the strongest aspect was the idea of these four young people who have already chosen one another as family finding themselves pulled toward identities and destinies they never asked for. The magic and mythology create the larger mystery, but it’s the questions of belonging, identity, and what makes someone your family that give the story its emotional foundation. There is clearly much more waiting to be uncovered about the Shell, the characters’ powers, and the history connecting everything together, and I think readers who enjoy settling into the beginning of a larger fantasy series will find plenty here to make them curious about what comes next. Happy reading!

Check out Fire Breathes Stone and Storm here!

 

Review: The Meaning of Androsia by Eric Bush

~ likelystory18 ~ 2 Comments

Synopsis:

It was a time of steam locomotives and horses, of city-states and principalities ruled by monarchs – but it did not take place in the past. It was a time of civil war between Protestants and Catholics over direct access to the Messiah – but the Messiah wasn’t Jesus. It was a place where Orthodox spires dotted the landscape, and people addressed each other with matronymics instead of patronymics – but it wasn’t a Slavic country, or even in Europe or Asia. It was a culture that venerated the great writers and composers from prior centuries – but their names were not Bach, or Shakespeare, or Beethoven. And when mid-winter rolled around, everyone celebrated the traditional holiday by decorating fir trees – but it was not Christmas. In short, it was a time very much like past centuries of our own – except that it was different. Something had happened to change the course of history.

Thus begins the story of Ilya Erynovich and Katerinya Emlynovna, a lifelong search for the meaning of something from the past. Ilya doesn’t know where he came from, or how old he is. He seems to know things he couldn’t possibly have learned. He has skills he couldn’t possibly have acquired. He is sought out, and sometimes captured, by political and religious leaders, and constantly followed by anonymous stalkers.

At first, he doesn’t even know that he is Ilya. He wakes up one evening in a train station, unable to remember anything about himself, including his own name. As he searches for someone – anyone – who might know who he is, he encounters Katerinya, a young writer, who takes an interest in his predicament and offers to help. She takes him in, and although strangers, they soon develop a mutual affection that blossoms into love.

This turns out to be good memory therapy for Ilya, and he recovers his knowledge of the last 20 years or so – but then it becomes stuck. He can’t remember anything prior to that. And it soon becomes clear to them that Ilya’s past self has left messages for his present self – there is something about the past that his present self needs to know – but the clues are cryptic and hard to decipher.

Over the course of a 24 year love affair, buffeted by political and religious intrigue, two epidemics, and a civil war, Ilya and Katerinya finally figure out who he really is…or was. But it’s not what either had expected.

Favorite Lines:

“How does a person function in a world with no past or future, and only a fleeting present?”

“For all practical purposes, I am what I can remember.”

“And as the great Reaper strode across her corporeal landscape, extinguishing her small internal fires, she died as she thought she would, gently raging at the dying of the light.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

The Meaning of Androsia starts with a really intriguing mystery. Professor Ilya Erynovich Koskayin wakes in a train station with no idea why he is there or, initially, much of an idea who he is. Even more alarming, he realizes he isn’t forming new memories properly either, forcing him to leave himself notes just to maintain some connection between one version of himself and the next. Following the limited clues he has takes him to Mariankursk, where he meets Katerinya, a young woman who rather unexpectedly becomes his partner in trying to piece everything together. Their investigation eventually intersects with a mysterious disease outbreak, a strange mark on Ilya’s ankle, people pursuing him for reasons he can’t remember, and a word that seems to carry some significance he has completely forgotten: Androsia.

One of the things I found most interesting about the book is that the mystery surrounding Ilya is only part of a much larger mystery surrounding the world itself. This is a future society living in the aftermath of a catastrophic break with the past, and familiar pieces of our own history have survived in altered, sometimes almost unrecognizable forms. Religions, holidays, historical figures, literature, and cultural traditions have been mixed together and reinterpreted over generations. There is a lot of humor in recognizing what these characters don’t, but there’s also a serious idea underneath it. The novel keeps asking how confidently any society can claim to understand its own past when history is always being filtered through whoever happened to survive and whatever information happened to remain. Even the opening epigraph, “Those who cannot remember the past are condemned to repeat it,” ends up applying just as much to civilization as it does to Ilya personally.

Ilya and Katerinya’s relationship is also a huge part of the novel, much more than I expected when the story began. Katerinya initially feels like someone who happens to be pulled into Ilya’s mystery, but she quickly becomes indispensable to solving it. She’s often the person who makes the intuitive leap Ilya misses, while he gives her the confidence and intellectual freedom to reconsider the life she imagined for herself. Their romance is unusually gentle, built around trust and companionship rather than conflict, and I liked the idea that neither of them really pursues or conquers the other. As Katerinya eventually describes it, they simply started moving in the same direction together. That relationship becomes much more bittersweet once the truth about Ilya finally comes into focus, because the mystery they have spent so long solving ultimately tells them something neither can undo.

I don’t want to spoil anything so I will keep this intentionally vague: the eventual meaning of Androsia was probably my favorite part of the story. The word and symbol keep resurfacing in different contexts, but for much of the story neither Ilya nor the reader has enough information to understand what they actually represent. I liked the way the novel slowly builds that question into something larger than a simple conspiracy or secret organization. Androsia becomes tied to the book’s broader interest in memory, identity, and the ways knowledge can be lost, altered, or misunderstood over time. It also mirrors Ilya’s own situation in an interesting way, since he is trying to reconstruct his personal history while living in a world that has its own fractured relationship with the past. I thought that parallel gave the central mystery much more depth than I initially expected. 

By the end, the book becomes less about solving a conspiracy and more about what it actually means to preserve something. Scientific truths can be rediscovered because the underlying laws don’t change, but art, religion, culture, and even our definitions of genius depend much more heavily on what happens to survive. Ilya eventually learns who he has been and realizes what matters most to him – his life with Katerinya. I found that surprisingly moving. For a book so interested in huge questions about civilization, religion, evolution, science, and immortality, some of its strongest moments are ultimately about something much simpler: the fact that even an extraordinarily long life doesn’t make the people you love any less temporary.

Summary:

Overall, The Meaning of Androsia is an ambitious speculative mystery that combines post-apocalyptic science fiction, romance, political intrigue, religion, genetics, philosophy, and alternate future history. It follows an amnesiac professor trying to discover who he is and why people are pursuing him, only for that personal mystery to gradually uncover a much larger story about a civilization that lost most of its connection to its own past.

I think this would especially appeal to readers who enjoy big-idea speculative fiction, stories about lost civilizations and reconstructed history, scientific mysteries, philosophical discussions about religion and knowledge, and slow-burning mysteries where seemingly minor clues eventually connect to a much larger explanation. Readers who enjoy a strong central romance alongside their science fiction may also really like Ilya and Katerinya. It will probably be a harder sell for readers who prefer very fast pacing or minimal exposition, because this is a long novel that frequently pauses the central plot for extended conversations about science, religion, history, literature, politics, and human behavior. Happy reading!

Check out The Meaning of Androsia here!

 

Review: Constants by E.B. Miller

~ likelystory18 ~ Leave a comment

Synopsis:

Mark Robson is trapped in flux.

Every 18 minutes and 32 seconds he wakes up in a new reality, then dies.

The only clues to help him stop this crazed cycle and return home to his pregnant wife are the people, things, and events that reappear across worlds,

…or what he calls his constants.

Told in real time, with every chapter unfolding in a different world, Constants is a tightly-plotted exploration of reality, identity, and humanity’s search for meaning across the furthest reaches of our collective imagination.

Favorite Lines:

“That truth has to live somewhere, so for now it resides in his head.”

“Death was the exclamation mark at the close of that final inescapable argument of life’s utter meaninglessness.”

“You can’t leave me. You’re a constant.”

“Meaning takes shape from afar, so appreciate what you can.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Constants is one of those books that starts with a premise that sounds fairly easy to explain and then gets much, much stranger the longer you read (in a good way). Mark Robson is trapped in what he calls “flux,” where every eighteen minutes and thirty-two seconds he finds himself somewhere new, usually shortly before dying in some increasingly bizarre way. One moment he might be sitting in a psychiatrist’s office, the next he is somewhere completely removed from the world he knows. The only things he can really hold onto are the patterns that keep repeating, particularly his wife Lya, the exact eighteen-minute-and-thirty-two-second countdown, and eventually his troubled twin sister Alex. At first, I was mostly interested in figuring out the mechanics of what was happening to Mark, but the book gradually makes it clear that the bigger question isn’t really where he is. It’s why any of it is happening at all.

A lot of what makes the story work is how ridiculous and serious it manages to be at the same time. Some of Mark’s existences are genuinely funny or completely absurd, while others are violent, frightening, or surprisingly sad. The constant countdown gives even the strangest worlds a sense of urgency because Mark knows that no matter what he discovers, he only has a few minutes before everything disappears again. I also really liked the recurring therapy sessions with the Psychiatrist. Those scenes give the story somewhere to breathe and allow Mark to actually examine the theories he keeps developing about flux. Is he hallucinating? Dead? Jumping between dimensions? Is someone controlling him? The running percentages Mark and the Psychiatrist assign to the different possibilities were a clever way to show how their thinking evolves as the evidence changes.

What surprised me most was how much emotional weight the story eventually gives Mark’s relationships. Lya initially seems like his one safe place, but even that becomes complicated because the versions of her he encounters don’t necessarily share the same history he remembers. Meanwhile, his search for Alex becomes increasingly important as we learn more about their childhood, their mother’s death, Alex’s addiction, and Mark’s guilt over not being able to save the people he loves. Underneath all the strange worlds and increasingly elaborate deaths, Mark is someone who was struggling with emptiness long before flux began. He keeps believing that if he can just solve the mystery, find the right constant, or get home to Lya, he will finally feel whole. The book gradually starts questioning whether returning to his old life would actually fix anything.

The final portion is where Constants takes its biggest swing, and I think it will also be the part readers have the strongest opinions about. Without completely spoiling it, the answer to Mark’s situation changes the context of basically everything that came before it. The novel becomes openly metafictional towards the end and includes a confrontation that ends up being one of the most interesting parts of the novel for me because it asks whether suffering really needs to produce meaning at all, or whether that’s just another story we tell ourselves because we’re uncomfortable with the possibility that there may never be a satisfying answer (you’ll see when you get there!).

I also appreciated that the ending ultimately lands somewhere quieter than I expected. After spending so much of the book desperately searching for certainty, Mark doesn’t necessarily find it. Instead, he reaches something closer to accepting uncertainty itself. The idea that darkness and the unknown don’t automatically equal emptiness felt like a fitting conclusion for a character who has spent so much of his life terrified that nothing matters. Constants is definitely weird, philosophical, occasionally chaotic, and sometimes deliberately frustrating, but I think that’s also what makes it memorable. It takes a very strange science fiction premise and uses it to ask surprisingly human questions about why we’re here, whether anyone is watching, and whether a fleeting moment can still matter even when we know it has to end.

Summary:

Overall, Constants is a strange, ambitious blend of science fiction, dark comedy, existential fiction, and metafiction that follows a man trapped in a cycle of new realities that reset every eighteen minutes and thirty-two seconds. What initially feels like a mystery about multiverses and repeated deaths gradually becomes much more interested in depression, mortality, faith, memory, free will, and our need to believe there is some larger explanation for why we suffer.

I think this will work best for readers who enjoy high-concept speculative fiction that isn’t afraid to get philosophical, especially those who like stories about alternate realities, unreliable perceptions of reality, existential questions, and books that eventually become aware of themselves as stories. Readers who need very concrete worldbuilding rules or a straightforward explanation for every mystery may find parts of it frustrating, but readers willing to follow the book into increasingly strange territory will find a lot to think about after it’s over. Happy reading!

Check out Constants here!

 

Review: Bloom: Crisis in the Mediterranean Sea by Andrea Morani

~ likelystory18 ~ 1 Comment

Synopsis:

SOMETHING IS SPREADING BENEATH THE SURFACE

Along the Mediterranean coast, people are dying or falling ill. Marine life is vanishing. The sea, once a source of life, is becoming a silent threat. No one knows why—or how far it will go. Called in to investigate, Dr. Marco Fassi and his team of scientists uncover unsettling patterns that point to something vast and unseen, pulsing beneath the water. As the phenomenon spreads, they’re forced to confront the terrifying possibility that nature itself is no longer under control.

For fans of Michael Crichton, Franck Schätzing, and eco thrillers grounded in real science, BLOOM delivers a chilling, high stakes mystery where the natural world becomes the greatest threat. Propulsive and eerily plausible, this gripping novel will leave you questioning what lies beneath the surface

Favorite Lines:

“Nature is staggeringly intricate—and largely mysterious—so much so that countless forces, known or unknown, could trigger catastrophes that endanger humanity. This isn’t a doom- and-gloom perspective; it’s a reminder that we live on a fragile balance.”

“The fate of not just the Mediterranean, but perhaps all the world’s oceans, rested on their success.”

“From then on, he made sure to never take their love for granted again. “

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Bloom feels like a mix of environmental thriller, disaster novel, and science-heavy speculative fiction. The setup immediately pulled me in because it starts with something that feels believable: the Mediterranean Sea warming, marine ecosystems shifting, and strange deaths beginning to happen around the coastline. The early chapters in Sardinia are honestly the strongest part of the book for me. The scenes with Sylvie and her parents on vacation create this calm, almost sentimental atmosphere before everything turns terrifying in a matter of minutes. The sudden collapse on the water and the confusion surrounding the dead fish and strange smell genuinely felt unsettling.

What I appreciated most was that Morani clearly knows the science behind what is being written about. The book dives deeply into harmful algal blooms, phytoplankton, saxitoxins, synthetic biology, and environmental collapse, but it usually does so through characters who are actively trying to solve the crisis. Marco’s sections especially carry the story once the scope expands beyond Italy. He’s written as a scientist first, and sometimes that makes him emotionally distant, but I actually thought that worked for the character. His family issues with Jasmine and his guilt over balancing science with real life gave the story a more human center amid all the technical discussions and global panic.

The scale of the crisis becomes surprisingly massive as the novel continues. What starts as isolated deaths and strange marine behavior escalates into continent-wide fear, collapsing tourism, political tension, ecological disaster, and desperate scientific experimentation. I liked that Morani didn’t keep the story small. The sections aboard the Seagull and the debates about drastic containment measures made the book feel bigger and more urgent as it went on. There are moments where the novel almost reads like a cinematic pandemic thriller, except the threat comes from the ocean instead of a virus.

That said, this definitely leans more toward “science thriller” than fast-paced action novel. The scientific explanations are frequent and detailed, sometimes to the point where the pacing slows down considerably. There are stretches where characters explain theories, toxins, genetics, or environmental systems for pages at a time. Personally, I didn’t mind most of it because the author clearly put real thought into the plausibility of the disaster, but readers looking for nonstop suspense may struggle with those sections. The dialogue can also feel a little formal at times, especially during scientific discussions where nearly every character sounds highly academic.

Still, I found Bloom genuinely interesting because it feels sincere. Morani clearly cares about the environmental themes and the science behind them, and that passion carries the book through its weaker moments. The story works best when it balances human fear with scientific uncertainty, showing how fragile modern systems really are when nature starts behaving unpredictably. It’s the kind of novel that makes you think twice the next time you hear about warming oceans or harmful algal blooms in the news.

Summary:

Overall, Bloom is a science-heavy environmental thriller about a deadly marine catastrophe spreading through the Mediterranean Sea. The novel blends disaster fiction, biology, ecology, and speculative science with family drama and global political tension. It starts strong with eerie coastal deaths and gradually expands into a large-scale international crisis involving toxins, algal blooms, and desperate scientific intervention. Readers who enjoy Michael Crichton-style scientific thrillers, environmental fiction, outbreak stories, or speculative eco-disaster novels will probably get the most out of it. Happy reading!

Check out Bloom: Crisis in the Mediterranean Sea here!