Review: The Nighttimes by Myranda Wren

November 2, 2026 ~ likelystory18 ~ Leave a comment

Synopsis:

Beneath the fog of San Francisco lies a hidden world of ghosts frozen in time. Bound to the limits of the city by the bay, and unable to move on to the hereafter, are the souls of Jack and Lilith, two siblings who lost their earthly lives in the Great Earthquake of 1906. Now, after a century in the shadows, Jack and Lilith’s world is rocked again as barrier between the spirit world and the living world begins to unravel. With the help of Charlie, the one living child who can see them, they must fight to save their city and their souls from a force so dark it can only be seen at night.

Favorite Lines:

“Time marched forward and Lilith had long learned of her inability to stop it.”

“Paths may cross but no journey will be the same.”

“And now, I know that the end can also be the beginning. An opportunity to experience the world in a different way.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

The Nighttimes is set against the backdrop of San Francisco and takes readers through decades of history while exploring grief, family, and what it really means to move on after death.

The story follows Lilith and Jack, two siblings who lose their lives during the devastating San Francisco earthquake of 1906. Rather than moving on to whatever comes next, the two find themselves stuck in the spirit world, wandering the city as the years pass and the world around them changes. Lilith, forever sixteen, takes on the responsibility of protecting her younger brother, while Jack, eternally eleven, maintains much of his childhood curiosity and mischievous personality. Their relationship is really the heart of this story, and I enjoyed how their personalities balanced one another.

One of my favorite aspects of the book was the way Wren incorporated San Francisco’s history into the narrative. The city almost becomes a character itself as we watch it evolve through the eyes of two spirits who have witnessed generations come and go. From the aftermath of the earthquake to the changing neighborhoods, buildings, and culture, there is a real sense of time passing, even though Lilith and Jack themselves remain unchanged. I also appreciated the smaller details, like Jack’s fascination with modern food and movies, which brought some humor to an otherwise rather melancholy situation.

Of course, their existence isn’t entirely peaceful. When mysterious dark spirits begin hunting ghosts throughout the city, Lilith and Jack find themselves caught up in something much more dangerous than either anticipated. What starts as a fairly quiet story about two siblings navigating the afterlife gradually develops into a supernatural mystery with some genuinely unsettling moments. I particularly liked the concept of the Night Maras and the rules governing the spirit world, including the significance of sacred spaces and the strange limitations placed on certain ghosts.

I also thought the emotional side of the story was interesting, particularly Lilith’s struggle with the responsibility she feels toward Jack. She has spent decades trying to keep him safe, but in doing so has also put aside much of her own desire for adventure and independence. Jack, meanwhile, wants to experience everything the world has to offer, even if he can no longer participate in it the way the living do. Their disagreements feel believable, and beneath them is a shared fear of losing the only family they have left.

The pacing does take some time to build, especially with the movement between different periods of the siblings’ existence. There are also moments when the descriptions and explanations of the spirit world feel a little drawn out. Still, I think the historical setting and the emotional connection between the characters help give the story something more substantial than a typical ghostly adventure.

What I appreciated most about The Nighttimes was that it doesn’t treat ghosts simply as frightening figures lurking in the shadows. Instead, they’re individuals with memories, regrets, relationships, and unfinished stories. There is something both sad and comforting about that idea, and it gives the novel an emotional weight beneath all the supernatural danger.

Summary:

Overall, The Nighttimes is an imaginative blend of historical fiction, paranormal fantasy, and mystery. While there are certainly darker moments, the story is ultimately just as interested in family, love, and the passage of time as it is in the things that go bump in the night. Readers who enjoy ghost stories with a little more heart, historical fiction supernatural mysteries, and character-driven fantasy may enjoy this one. Happy reading!

Check out The Nighttimes here!

Review: Life Ends, Love Remains by Sarah Branson

October 29, 2026 ~ likelystory18 ~ Leave a comment

Synopsis:

Ridgefield, Connecticut. A cemetery. A Revolutionary War soldier. A ghost. A writer. 1777 meets 2024.

Clara Donovan, a divorced novelist, moves into her late grandmother’s Connecticut home after a failed marriage and a failed book. She wants silence and a second chance.

Benjamin Whitlock, a woodworker turned soldier for a day, killed at the Battle of Ridgefield on April 27, 1777, has haunted the local cemetery for two hundred and forty-seven years. He wants to be heard.

Eliza Hartwell, dead since 1851, has been weeping in that same cemetery for one hundred and seventy-three years. She wants her story told before it disappears entirely.

When Clara agrees to write Eliza’s story- a love erased from history, a family torn apart, and a theft that has kept her weeping for nearly two centuries- she sets in motion a love story she never anticipated. One conducted entirely across the uncrossable distance between the living and the dead.

Favorite Lines:

“Listen, if I was really going to help her, I’d need some duct tape and a shovel.”

“Someone is telling my story…Someone who understands what it meant. What it cost. Someone who cares.”

“Cause breathers gotta breathe…They gotta keep movin’ forward. That’s what the livin’ do—they grow, they change, they age, they move on. We don’t. Not the same way. We’re stopped. We’re caught. You tangle yourself up with one of the warm folks, somebody’s heart’s gettin’ broke. Guaranteed.”

“I may have just lost everything, but I will not give you up too.”

“The joy of my life is real, and it is not canceled out by anything.”

“The old stones held their silence, as they always have, as they always will.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

There is something both comforting and heartbreaking about the idea that the people we lose might never really leave us. In Life Ends, Love Remains, Sarah Branson explores that possibility through a story that combines historical fiction, ghosts, romance, and a little mystery, all while asking what it really means to move on from the past.

The story follows Clara Donovan, a struggling writer whose life has pretty much fallen apart. Between a failed marriage, an unsuccessful debut novel, and the betrayal of two people she trusted, Clara decides to leave Brooklyn behind and retreat to her late grandmother’s home in Ridgefield, Connecticut. What she doesn’t expect is to rediscover a rather unusual ability from her childhood: she can communicate with the dead.

One of those spirits is Benjamin “Whit” Whitlock, a carpenter who died during the Revolutionary War in 1777 and has spent the centuries since watching the world change around him. Through Whit, Clara becomes involved in uncovering the story of another spirit, Eliza, whose grief has kept her tied to the cemetery for generations. As Clara begins piecing together Eliza’s history, she also finds herself rediscovering her own love of writing and forming an increasingly meaningful connection with Whit.

I really liked the premise of this book, particularly the way the author approaches ghosts. Rather than treating the supernatural as something frightening, the spirits are portrayed as people who still have their own personalities, regrets, memories, and unfinished business. Whit was easily one of my favorite characters. There is something endearing about his old-fashioned manners and the way he tries to understand a world that has changed so dramatically since his death. His conversations with Clara provide some genuinely funny moments, especially when their very different perspectives on relationships and modern life come into play.

I also appreciated that Clara’s journey isn’t just about finding love again. When we first meet her, she has lost confidence in nearly every part of her life, including her ability as a writer. Watching her become invested in Eliza’s story and gradually rediscover her excitement for writing was one of the more satisfying aspects of the book. I particularly liked the moments when Clara questions whether she is truly creating something of her own or simply recording someone else’s experiences. It adds an interesting layer to her character, especially considering how much her previous publishing experience affected her confidence.

The historical mystery surrounding Eliza was another highlight for me. I enjoyed how the story moves between the present and the past, gradually revealing more about the people who lived in Ridgefield generations earlier. The inclusion of real historical locations, particularly the Battle of Ridgefield and the town’s cemetery, gives the story a stronger sense of place. I also liked that the research itself becomes an important part of the narrative, with Clara searching through historical records and trying to piece together a life that has largely been forgotten.

Of course, the romance between Clara and Whit is a major part of the story, and it is certainly an unusual one. Their relationship develops through conversations, shared experiences, and a growing understanding of one another rather than the usual physical attraction. I liked that the author didn’t completely ignore the complications of falling in love with someone who has been dead for more than two hundred years. There is a bittersweet quality to their relationship, and even during the happier moments, the question of what their future could realistically look like is never too far away.

What I found most interesting, though, was how the book explores the different ways people hold on to the past. Clara is struggling to move beyond the life she thought she would have, while Whit and Eliza are quite literally unable to leave theirs behind. Their circumstances may be very different, but there is a shared sense of longing that connects their stories. I thought that was a clever way to bring the historical and contemporary elements together.

Summary:

Overall, Life Ends, Love Remains is a thoughtful and emotional story about love, loss, second chances, and the connections that survive long after someone is gone. I enjoyed the combination of historical mystery and unconventional romance. It is the kind of book that is less concerned with frightening readers with ghosts and more interested in making them think about the people and memories we leave behind. Readers who enjoy gentle ghost stories, unconventional romances, dual timelines, historical mysteries, and books exploring grief, healing, and second chances will likely appreciate this one. Happy reading!

Check out Life Ends, Love Remains here!

Review: Yale Village, Appalachia by L. Gale

October 23, 2026 ~ likelystory18 ~ Leave a comment

Synopsis:

In the year 1784 romance blossoms in unexpected places on the frontier. Kentucky is still part of Virginia and the First Nations clash with pioneers in the struggle to settle western Appalachia while the newly forming United States is established. Follow key members of the backwater village of Yale, Kentucky before its history was committed to paper and before it was intentionally submerged to create a lake. In spite of real and ever-present dangers, several love stories are woven together in and around the village, including two inter-racial marriages between Shawnee tribal members and Christian settlers who encounter them, as spiritual traditions are explored and means of survival are found in the face of mounting social and geographical tensions.

Favorite Lines:

“Great Spirit can seem far away sometimes…but may be closer than we realize.”

“It was the most thrilling thing that I’ve ever experienced, as well as the most devastating to lose. I guess the two go hand in hand.”

“Then, too, contemporary explorers might drift off to sleep in a canoe to the soothing churning of the first grist mill wheel in the waters of the Licking River, and find themselves transported back in time in their own dreams of the humble village of Yale as it once was in the hearts of those who survived and thrived there.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

There is something fascinating about the idea of an entire town disappearing beneath the water, especially when so much of its history has already been lost to time. In Yale Village, Appalachia, L. Gale takes that idea and imagines what life might have looked like for the people who first settled Yale, Kentucky, in the late 1700s, long before the community was eventually submerged beneath what is now Cave Run Lake.

The story begins in 1784, when Yale is still a small frontier settlement made up of tents, log cabins, and people trying to build something resembling a permanent home. When stonemason Tom Donathan arrives with plans to construct a much-needed gristmill, it sets the stage for a story that follows the growth of the village and the lives of the people who call it home.

Rather than focusing on one central character or a single overarching conflict, the book follows several members of the community as they navigate everything from marriages and childbirth to religious gatherings, dangerous encounters, and the everyday challenges of frontier life. I particularly enjoyed how much attention was given to the smaller details of establishing a settlement. Things like building a mill, organizing a school, preparing for winter, and gathering together for celebrations might not sound especially exciting on their own, but they help give the village a sense of life and personality.

One of the more interesting storylines involves Kahkwehsée, a young Shawnee man who eventually becomes known as Perry. His experiences introduce a different perspective on the frontier, particularly when it comes to the tensions between settlers and Native Americans. I appreciated that the author made an effort to explore the relationships between these communities rather than treating the settlement’s history as exclusively that of its European inhabitants. Perry’s relationship with Jack Fortier was especially memorable, and their growing sense of family brought some of the more touching moments to the story.

There is also quite a bit of romance woven throughout the book. I enjoyed the developing relationship between Dr. Emmett Clay and Sadie Roberts, especially the rather amusing circumstances surrounding their courtship. The village gossip and everyone’s concern over what is considered proper behavior provide some lighter moments, and I liked how these relationships helped break up the more historical portions of the narrative.

That being said, this is definitely a book that leans heavily into its historical details. There are frequent references to real people, locations, religious practices, and events, and at times the writing feels more like a historical account than a traditional novel. While I found much of that information interesting, there were moments when I wished the author had spent a little less time explaining the history and a little more time developing the characters and their emotions. Some of the dialogue also felt a bit formal, which made it harder to become fully immersed in certain scenes.

I think the book works best when viewed as a fictional reconstruction of a community rather than a story driven by suspense or dramatic twists. There is a lot of emphasis on cooperation, faith, family, and the determination required to make a life in an unfamiliar and often dangerous place. The changing seasons and community traditions also give the story a comfortable, almost nostalgic feeling, even when the circumstances themselves are anything but easy.

What stayed with me most was the premise behind the book. Knowing that Yale eventually disappeared beneath the waters of a man-made lake gives the story an underlying sense of sadness. All of the ordinary moments that make up the lives of these fictional villagers, from weddings and Christmas celebrations to the construction of their homes, feel a little more meaningful when you remember that the physical place they are building will one day be gone.

Summary:

Overall, Yale Village, Appalachia is an interesting blend of historical fiction, community storytelling, and imagined local history. While the slower pacing and abundance of historical information may not appeal to everyone, I appreciated the author’s attempt to give a forgotten community a sense of identity and bring its early inhabitants to life. Readers who enjoy slower-paced historical fiction, Appalachian history, pioneer settlements, and stories centered around small communities will likely appreciate this one. Happy reading!

Check out Yale Village, Appalachia here!

Monthly Features – September 2026

September 30, 2026 ~ likelystory18 ~ Leave a comment

The Confessor: A Logan Hollister Novel by Noah Christopher

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: A killer is making Los Angeles confess.

The Confessor is never wrong. He has built his whole life around being sure of it.

He chooses people who got away with it — never charged, never even suspected. The charity director who gutted his own foundation. The smiling influencer who built an empire on a lie.

He sits them down alone with a pen and a yellow legal pad, and waits as long as it takes for the truth in their own hand.

Then he balances the account.

The confessions are real. But on paper, nothing connects the victims — separate lives, separate crimes, no thread that should tie one death to the next.

Detective Logan Hollister has every reason to stay out of it. The money came a long time ago; the house is an hour down the coast, the kind of quiet other men spend their whole lives chasing. Logan can only tolerate it in small batches before he wants back in. He keeps the badge, works the cases that still mean something, and this is the one he can’t walk away from.

On the surface, he and the man he’s hunting are opposites. One has everything a life can hold. The other spent years making himself into no one at all.

But the bodies keep coming, and the difference between them keeps thinning — until Logan can’t always tell whether he’s hunting the man or recognizing him.

Summary: The Confessor is a smart, fast-moving crime thriller about an LAPD detective hunting a killer who forces seemingly respectable people to confess the ugly truths they have been hiding. The alternating perspectives make the cat-and-mouse element especially fun, while Logan’s secret life as the owner of an investigative news site adds a genuinely interesting complication. Readers who like police procedurals, serial killer thrillers, morally complicated villains, clever detective work, strong partner banter and contemporary Los Angeles settings may enjoy this book.

See the full review here: The Confessor
Purchase here

Crossingsbrook Georgians by L. Gale

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: In Crossingsbrook Georgians: the crossingsbrook series prequel, the back-story is told to the series, explaining how the Reverend and Clara James met, how Dr. Walton and Lady Greenfield met, the impacts of war and loss on Victor’s youth and young adulthood, the childhood friendship of Beatrice and Clara, and Beatrice’s experiences raising children that were not hers by birth. Also featured is a romantic episode between a freed slave and a free-born individual. Readers discover some of the better medical treatments available at the turn of the 19th Century, and the psychological impact that astronomical events may have had on ordinary individuals, if only by the power of suggestion. This novella fills in seventeen years, or nearly a generation, of the early lives of some of the key Crossingsbrook villagers, and introduces others who will have larger roles to play later in the series. All is told against a backdrop of the impacts of technology, legislation and cultural developments in Britain of the time.

Summary: Crossingsbrook Georgians is a gentle, character driven Georgian historical novel that follows several interconnected families in the village of Crossingsbrook beginning in the late 1790s. There’s romance, family life, grief, village gossip, religion, old family rivalries and a surprising amount of everyday historical detail. Readers who enjoy gentle, character driven historical fiction where the pleasure comes from spending time in a community and watching relationships develop over years, rather than racing through a single dramatic plot may enjoy this book.

See the full review here: Crossingsbrook Georgians
Purchase here

Death in Utopia by Phillip Vega

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: An idyllic paradise. A deadly secret. A detective who can’t escape the past.

When Detective Karen Skaryd and her husband arrive at a luxurious Caribbean resort to celebrate their twenty-fifth wedding anniversary, they expect sun, relaxation, and romance. But when a prominent guest drops dead in the middle of lunch—with a cryptic biblical message left behind—Karen is thrust into a web of lies, power, and murder.

As she navigates law enforcement politics, elusive suspects, and a retired senator with secrets of his own, Karen soon realizes that this case may be tied to something much darker than she ever imagined. With danger lurking in paradise, she must uncover the truth before the killer strikes again.

Because in Utopia, nothing is what it seems.

Summary: This is a vacation mystery that gradually turns into something much bigger. Readers who like amateur-out-of-necessity investigations, police procedurals, tropical destination mysteries, married protagonists, large suspect pools, serial-killer elements and mysteries that continue into a larger series may enjoy this one.

See the full review here: Death in Utopia
Purchase here

The Crowned Flame: Illuminated Songs of Becoming by Aroya Wallace

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: The Crowned Flame: Illuminated Songs of Becoming What does it mean to become?

Perhaps becoming is not the journey toward someone new, but the quiet return to who we have always been.

The Crowned Flame: Illuminated Songs of Becoming is an illuminated Songbook of poetry, music, and art exploring ancient memory, sacred love, creative imagination, spiritual awakening, and return.

Across seven lyrical movements, these Songs of Becoming journey from the first spark of creation, through forgetting, longing, love, remembrance, and transformation, before returning once more to the quiet landscape of the human heart.

More than a book

This beautifully illustrated hardcover was created as a companion to the recorded album by Aroya Wallace, available on major music streaming platforms.

Each song is accompanied by richly illuminated artwork, inviting readers to pause, reflect, and linger. Whether experienced as poetry, music, or both together, every page offers another doorway into wonder.

Inside you’ll discover

• Seven original illuminated songs

• Full-color companion artwork throughout

• Mystical and inspirational poetry

• Themes of memory, love, imagination, and becoming

• A keepsake edition created for slow, contemplative reading

Perfect for readers who enjoy

• Illuminated poetry

• Mystical literature

• Inspirational verse

• Beautiful gift books

• Sacred art

• Thoughtful reflection

Approach softly.

Listen deeply.

And perhaps remember something beautiful that has always lived within you.

Summary: The Crowned Flame feels more like an experience than a conventional poetry book. There is a surprisingly clear progression underneath all of the dreamlike imagery, moving from separation and forgetting into self-discovery, love, healing, and return. I think it works best when you don’t try too hard to decode every symbol and instead allow the imagery and ideas to wash over you a little. It is unusual, very earnest, and visually beautiful, and I can see it really connecting with readers who already enjoy poetry that has a mystical or meditative quality especially those who enjoy spiritual or metaphysical poetry, mythology and symbolism, visually beautiful books, meditative writing, fantasy-inspired imagery, and poetry collections that tell a larger story across individual pieces.

See the full review here: The Crowned Flame: Illuminated Songs of Becoming
Purchase here

Review: Death in Utopia by Phillip Vega

September 21, 2026 ~ likelystory18 ~ 1 Comment

Synopsis:

An idyllic paradise. A deadly secret. A detective who can’t escape the past.

Because in Utopia, nothing is what it seems.

Favorite Lines:

“Honey, never forget—a keen mind will always be your best tool.”

“Panicking won’t help. We simply stick to the facts and let them chase the shadows.”

“You can’t come to the Dominican Republic and not eat your weight in food.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Death in Utopia has a setup I’m almost always going to enjoy: a detective goes on vacation, fully intending not to be a detective, and then someone dies. Karen Skaryd and her husband Brock are in Punta Cana celebrating their twenty-fifth anniversary while also attending an international rose society event, thanks to Brock’s very serious interest in growing roses. The resort is beautiful, the drinks are flowing, there are plenty of eccentric personalities around, and then one particularly unpleasant member of the rose society suddenly dies under suspicious circumstances. Karen may technically be off duty and very much outside her jurisdiction, but there is basically no chance she is going to ignore what she sees.

Karen was probably my favorite part of the book. She is observant, stubborn, experienced, and constantly slipping into what Brock calls her “detective eyes,” even when she is supposed to be relaxing. Their marriage also gives the story a nice grounding point. They have been together long enough that their conversations feel comfortable and familiar, with the kind of teasing and minor irritation that makes them seem like an actual married couple rather than two characters who exist only to move the mystery forward. Brock is also more than just the spouse waiting back at the hotel while Karen investigates. His rose obsession is what brings them into this particular group of people in the first place, and their relationship helps keep the story lighter even as the situation around them becomes increasingly dangerous.

The mystery itself gets much bigger than the first death suggests. There are biblical messages, a growing list of people who may or may not be telling the truth, suspicious resort employees and guests, international law enforcement complications, and someone who seems very interested in making sure Karen knows she is being watched. I liked that the book gives you a lot of possible directions to look without making every suspicious person feel like an obvious red herring. Karen is also at a disadvantage because she has no real authority in the Dominican Republic, which leads to some friction with Inspector Montenegro. She wants to investigate the way she normally would, while he is understandably not thrilled about an American detective inserting herself into his case.

The tropical setting is a fun contrast to the darker material. One minute Karen and Brock are surrounded by ocean views, elaborate floral displays, resort restaurants and a competitive group of rosarians, and the next Karen is looking at a crime scene or following someone through a crowded tourist area. The book also has a fairly large supporting cast, including Montenegro, Wolfram, Alvarez and a number of resort guests and staff, so there is usually another relationship or secret being introduced as the investigation progresses. At times there is a lot happening, especially once the mystery expands beyond the resort itself, but that also keeps the story moving and gives it more of an adventure-thriller feel than a quiet traditional whodunit.

What surprised me most is that Death in Utopia doesn’t really wrap itself up like a completely self-contained vacation mystery. The immediate investigation builds toward a much larger threat, and the opening scene makes more sense once you see where the story is headed. I think readers who enjoy series mysteries will probably appreciate that more than readers looking for everything to be neatly tied up by the final page. This feels very deliberately like the beginning of Karen Skaryd’s story, with her family life, police career and a particularly dangerous adversary all positioned to continue into future books. There are some darker moments along the way, but the overall reading experience still feels accessible and entertaining rather than grim. I am excited to see where Vega takes Karen’s story next!

Summary:

Overall, this is a vacation mystery that gradually turns into something much bigger. Readers who like amateur-out-of-necessity investigations, police procedurals, tropical destination mysteries, married protagonists, large suspect pools, serial-killer elements and mysteries that continue into a larger series may enjoy this one. Happy reading!

Check out Death in Utopia here!

Review: The Confessor: A Logan Hollister Novel by Noah Christopher

September 15, 2026September 16, 2026 ~ likelystory18 ~ 2 Comments

Synopsis:

A killer is making Los Angeles confess.

The Confessor is never wrong. He has built his whole life around being sure of it.

He chooses people who got away with it — never charged, never even suspected. The charity director who gutted his own foundation. The smiling influencer who built an empire on a lie.

He sits them down alone with a pen and a yellow legal pad, and waits as long as it takes for the truth in their own hand.

Then he balances the account.

The confessions are real. But on paper, nothing connects the victims — separate lives, separate crimes, no thread that should tie one death to the next.

On the surface, he and the man he’s hunting are opposites. One has everything a life can hold. The other spent years making himself into no one at all.

But the bodies keep coming, and the difference between them keeps thinning — until Logan can’t always tell whether he’s hunting the man or recognizing him.

Favorite Lines:

“Everybody with a secret and a blazer had done a TED talk.”

“The truth had to come on its own, the way water finds its level.”

“The days of chasing a ghost were gone. Now he was hunting a man, and the hunt was drawing close.”

“Some part of him, far down, mistook a train leaving its rails for the feeling of being free.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

The Confessor starts with a killer who doesn’t simply want his victims dead. He wants them to admit what they’ve done first. His targets are people hiding behind carefully constructed public images, and he does an unsettling amount of homework before confronting them with the truth. The opening, involving a respected charity figure and some very questionable finances, immediately establishes what makes this killer interesting: there’s a twisted logic behind what he’s doing. He doesn’t see himself as indiscriminately violent. In his mind, he’s exposing people who deserve to be exposed. That makes the moral line running through the book considerably messier than your standard serial killer thriller.

On the other side of the story is LAPD detective Logan Hollister, who is probably the biggest reason I enjoyed this as much as I did. Logan has money, a Tesla, a house in Laguna Beach, and enough independence within the department to operate a little differently than everyone else, but he also seems almost incapable of actually enjoying the quiet life he has built for himself. Los Angeles and the work keep pulling him back. His partnership with Curt Alton gives the book some much needed humor and personality, especially because Curt is one of the few people who seems completely unimpressed by Logan being Logan. Their dialogue feels easy and lived in, and I liked their relationship almost as much as the investigation itself.

There is also more going on with Logan than the other characters realize. He secretly owns WLTLH, an investigative news site that has grown far beyond the little local operation he originally created. That becomes much more than an interesting character detail once The Confessor and WLTLH begin brushing up against each other. Logan suddenly has access to information as a journalist that he cannot exactly walk into the police department and explain without exposing a huge part of his life. I thought this was one of the more original pieces of the book because it gives him two different ways of hunting for the truth, while also creating a pretty significant problem when those two identities collide.

The story alternates between Logan’s investigation and The Confessor himself, so this isn’t really a mystery where you spend the entire book trying to guess what the killer is doing. A lot of the tension comes from watching both sides work and wondering when their paths are finally going to meet. The Confessor studies people with almost obsessive patience, while Logan is similarly good at noticing the tiny details other people overlook. That parallel makes them feel strangely well matched. The book also has a very strong sense of Los Angeles, moving between expensive Westside shops, diners, churches, freeways, ordinary neighborhoods and Logan’s quieter life down in Laguna. It gives the story a contemporary, very lived-in feeling rather than using LA as generic crime-thriller scenery.

At a little over 400 pages, The Confessor is substantial, but it reads quickly because the chapters tend to keep pushing you into the next piece of the investigation. There are stretches where the book gets very detailed about how Logan or The Confessor thinks through something, which may be more procedural than some readers want, but I actually think that detail is part of the appeal here. You get to understand how both men think rather than simply watching clues appear when the plot needs them. More than anything, this feels like the beginning of a crime series rather than a standalone thriller with a detective who happens to solve one case. Logan, Curt, WLTLH and the larger world around them all feel built to continue beyond this story, and I would be interested in seeing where the series takes them next.

Summary:

Overall, The Confessor is a smart, fast-moving crime thriller about an LAPD detective hunting a killer who forces seemingly respectable people to confess the ugly truths they have been hiding. The alternating perspectives make the cat-and-mouse element especially fun, while Logan’s secret life as the owner of an investigative news site adds a genuinely interesting complication. Readers who like police procedurals, serial killer thrillers, morally complicated villains, clever detective work, strong partner banter and contemporary Los Angeles settings may enjoy this book. Happy reading!

Check out The Confessor here!

Review: Crossingsbrook Georgians by L. Gale

September 12, 2026 ~ likelystory18 ~ 1 Comment

Synopsis:

In Crossingsbrook Georgians: the crossingsbrook series prequel, the back-story is told to the series, explaining how the Reverend and Clara James met, how Dr. Walton and Lady Greenfield met, the impacts of war and loss on Victor’s youth and young adulthood, the childhood friendship of Beatrice and Clara, and Beatrice’s experiences raising children that were not hers by birth. Also featured is a romantic episode between a freed slave and a free-born individual. Readers discover some of the better medical treatments available at the turn of the 19th Century, and the psychological impact that astronomical events may have had on ordinary individuals, if only by the power of suggestion. This novella fills in seventeen years, or nearly a generation, of the early lives of some of the key Crossingsbrook villagers, and introduces others who will have larger roles to play later in the series. All is told against a backdrop of the impacts of technology, legislation and cultural developments in Britain of the time.

Favorite Lines:

“After all, we’re entering the modern era now, and many people consider affection between a couple to be more important than the marriage of bank accounts and bloodlines.”

“When Victor left to return to school, Constance temporarily ruined the dog in his absence by dressing him up often in doll clothes, such that when his master returned for Eastertide and summertime of 1804, a good many hunts were required to recover the canine’s sense of masculinity.”

“Though the comet apparently did not end the world, it might have been said to have coincided with the ending of the old earth…”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Crossingsbrook Georgians is one of those historical novels that is less interested in sweeping drama than in making you feel like you’ve been dropped into the everyday life of a small community. And honestly, I think that’s where it works best.

The story begins in 1798 with Lady Clara Godfrey, the daughter of a bishop who has been promised since childhood to another young bishop, Bernard Bartholomew. Unfortunately for everyone involved, Bernard is exactly the sort of man you’d hope Clara doesn’t end up marrying. He’s irritable, self-important, and generally unpleasant to have around. Clara’s father’s household staff seem to agree, and their efforts to make his visit as uncomfortable as possible give the opening chapters a surprisingly funny, slightly mischievous energy.

But the heart of the story quickly becomes Clara and Theodore “Theo” James, her father’s chaplain and secretary. Their relationship has a very gentle quality to it. These are two people who already know each other well and genuinely like one another, so their connection feels rooted in friendship and familiarity rather than instant attraction. Theo is also much more interested in actually serving people than in climbing the church hierarchy, which eventually brings Crossingsbrook itself into the center of the story.

And Crossingsbrook really does become a character of its own.

Once the story settles into the village, the book expands into something closer to a family and community chronicle. We see parish life, births and marriages, funerals, holidays, dinners, church gatherings, household routines and the small dramas that come from living in a place where everyone knows everyone else. There are even things like a village magic lantern show and excitement over early steam transportation, which I enjoyed because they make the historical setting feel lived in rather than simply decorative.

The Greenfield family becomes especially important as the book progresses. After tragedy strikes Greenfield Hall, Lady Beatrice steps into a family situation she wasn’t exactly prepared for, including caring for young Victor and his baby sister. Victor’s grief is handled with more patience than I expected. He’s angry and somewhat wild at first, and the adults around him don’t immediately try to force him into behaving as though nothing happened. His friendship with the newly arrived Dr. Rex Walton is particularly sweet and becomes an important source of stability for him.

Beatrice was probably one of the more entertaining characters for me. She’s proper and particular, but not nearly as stuffy as she initially seems. Her interactions with Rex add another little thread of romantic tension, while her attempts to figure out how to suddenly become responsible for two children give her some much needed vulnerability.

There’s also a longstanding feud between the Greenfields and Fairhavens running quietly through the background. I liked that the book doesn’t immediately turn this into some huge melodramatic conflict. Instead, you start noticing little cracks in the wall between the families, particularly as the younger generation grows up. By the later portion of the book, you can pretty clearly see how these relationships and old grudges are laying groundwork for whatever comes next in the Crossingsbrook series.

One thing readers should know going in is that this isn’t really structured like a conventional historical romance with one central couple and one major conflict driving everything toward a climax. It’s much more episodic. Years pass, children grow up, people leave for school, historical events creep into village life, families change, and characters who seemed secondary earlier become increasingly important. In that sense, it really does feel like a prequel. Its job is to introduce the families, relationships, history and little bits of baggage that will matter later.

There’s also quite a lot of historical detail woven throughout. Religion plays a particularly large role because Theo is a clergyman and Clara is a bishop’s daughter, but the book also touches on education, class, household servants, medicine, technology, politics, village traditions and changing social attitudes. Occasionally the historical information becomes more prominent than the plot itself, so readers who want a fast, tightly plotted story may find the pacing leisurely. But if you’re someone who likes the everyday details of another era, there’s a lot here to enjoy.

What I liked most was probably the sense of continuity. You aren’t just watching one romance happen. You’re watching a community take shape across years. People marry, have children, lose people they love, grow older and gradually hand more of the story over to the next generation. By the end, characters we first encountered as children are moving into adulthood with histories and relationships that already feel established. It makes Crossingsbrook Georgians feel less like a standalone adventure and more like opening an old family album and finally learning the stories behind all the people in it.

Summary: Overall, Crossingsbrook Georgians is a gentle, character driven Georgian historical novel that follows several interconnected families in the village of Crossingsbrook beginning in the late 1790s. There’s romance, family life, grief, village gossip, religion, old family rivalries and a surprising amount of everyday historical detail. Readers who enjoy gentle, character driven historical fiction where the pleasure comes from spending time in a community and watching relationships develop over years, rather than racing through a single dramatic plot may enjoy this book. Happy reading!

Check out Crossingsbrook Georgians here!

Monthly Features – August 2026

September 7, 2026 ~ likelystory18 ~ Leave a comment

The Weight of Snow by Sal Nudo

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: The past doesn’t wash away. It just freezes over.

For fourteen years, Alex Neitzel has lived a life built on a foundation of silence and blood money. To the residents of Champaign-Urbana, he is a wealthy, solitary remote copywriter. To his teenage children, Sammy and Cecelia, he is a ghost—a cold, self-absorbed father who nurses a bottle of Scotch in a silent house where nobody truly talks.

But Alex is living in a prison of his own making, haunted by a brutal midnight memory: his brother Trevor, dead at the bottom of a frozen playground structure in Cameron Park. Every night at exactly 2:49 a.m., his fracturing mind punishes him with the phantom echoes of that horrific winter night.

Then, a knock comes at the front door.

Two local cold-case detectives are rattling old trees, armed with a deathbed confession from a witness who knows too much about the money Alex inherited after the “accident.” As the psychological chess match with the police tightens around him, Alex panics. Desperate to find an escape hatch, he risks everything on a shadowy, international investment opportunity in Brazil—only to find himself blindly stepping into the trap of a lethal predator.

With his fortune stolen, his children severing ties, and the authorities closing in, Alex is forced to engineer the ultimate exit strategy: staging his own death on the freezing waters of Lake Michigan.

A haunting, slow-burn exploration of guilt, isolation, and familial decay, The Weight of Snow is a gripping literary noir character study that asks a terrifying question: How far can a man run when the monster he’s fleeing is himself?

Summary: The Weight of Snow is a short psychological crime thriller about guilt, paranoia, family dysfunction, and the impossibility of escaping your own past. Rather than building its suspense around the question of whether Alex committed a crime, the story focuses on what happens when the consequences of that crime finally begin closing in fourteen years later. I especially liked the irony of Alex, a man who has spent years living a lie, becoming the victim of an elaborate con when he desperately searches for a way to disappear. The ending is bleak but fitting and reinforces the idea that Alex’s real prison has never been a physical place.

I would recommend this to readers who enjoy morally complicated protagonists, psychological crime fiction, dysfunctional family dynamics, stories about guilt and consequences, and shorter thrillers that move quickly. Readers who prefer traditional mysteries with a concealed culprit may find this less mystery driven than expected, since Alex’s guilt is revealed relatively early. It is much more about watching a guilty man unravel.

See the full review here: The Weight of Snow
Purchase here

Daughter of the Golden Realm by Eva Barber

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: Emery inherits a mystical necklace and a cryptic warning of its importance to humanity’s survival. When her mother’s body vanishes, Emery leads a band of refugees into a desolate, post-apocalyptic world and an eerie underground city, ruled by unscrupulous and immortal beings. Grieving her mother’s death, haunted by visions emitted by the necklace, and pursued by assassins enhanced by the technology her mother had invented, she uncovers a conspiracy that stretches from a dying Earth to the fabric of the universe itself. But things get even more complicated when a mysterious woman kidnaps her beloved Peter. She and her small group race against time to find him and stop a cosmic threat. Once again, destiny forces Emery to embrace her fate, which is far greater and more terrifying than she ever imagined, and to make an impossible choice.

Summary: Daughter of the Golden Realm is an ambitious mix of post-apocalyptic science fiction, dystopian rebellion, fantasy, mythology, romance, and family drama. The story follows Emery as she and her companions continue searching for answers about the destroyed Earth, the Masters, the mysterious golden necklace, and Emery’s own connection to forces she still does not fully understand.

I think this book would appeal most to readers who enjoy genre-blending speculative fiction, complicated world-building, found and biological family dynamics, environmental themes, supernatural or science-based powers, dystopian resistance stories, and romances built around the idea of soulmates finding one another across impossible circumstances. Because this story continues a much larger series mythology, I would definitely recommend reading the preceding Dark World books first rather than treating this as a standalone.

See the full review here: Daughter of the Golden Realm
Purchase here

Blood Gilt by Jessica Housand

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: In a world shaped by war, blood, and betrayal, Alejandro Whitmore has spent years trying to outrun the ghosts of his past. Torn from his family during the brutal Salvadoran civil conflict and raised in the shadow of cartel power, he now lives between two identities—American on paper, but haunted by the violence that forged him.

When a dangerous assignment forces him back to El Salvador, Alejandro is thrust into a web of corruption, political manipulation, and buried family secrets. As he reconnects with the sister he lost, confronts the father who weaponized his life, and falls for a woman who may be hiding secrets of her own, Alejandro must decide whether redemption is possible for someone born into bloodshed.

Dark, gritty, and emotionally charged, Blood Gilt is a sweeping crime drama about survival, loyalty, generational trauma, and the cost of freedom. Perfect for readers who love layered antiheroes, cartel thrillers, and emotionally complex literary suspense.

Summary: Blood Gilt is a dark, character-driven crime thriller that blends historical fiction, romance, and psychological drama. It has the conspiracies, betrayals, organized crime, and high-stakes confrontations you’d expect from the genre, but it spends just as much time exploring the emotional cost of living inside that world. Readers looking for an action-heavy thriller should know this is a slower burn, while those who enjoy layered characters, morally gray decisions, and suspense built around relationships as much as danger will likely find a lot to enjoy.

See the full review here: Blood Gilt
Purchase here

Echoes of a Wild Girl’s Drum by Tiffini Johnson

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: I was seven when they tied me to the stake.

They wanted me to burn, burn, burn like Nángi. I threw blackjack petals in her ashes, but not even the strongest herbs can make dead mothers come back. Nobody threw blackjack petals for me, but when my turn came, a boy broke rhythm for me instead — the village drummer, the Commander’s ward — and he was scarred for it.

So I ran. Into the forest, into the dark. I learned to sleep where nothing could find me and eat what the forest gave and trust tree kangaroos and cuscuses before people. I forgot almost everything — except the boy who cut me loose from the stake. Except the tree where we carved a spiral with hair and blood and a poem nobody knows. Except the night we climbed so high the whole sky cracked open and I told him there were a million hundred stars. Except our beat — tap boom tap, tap boom boom tap — that belongs to no one else in the world. He was the only thing I kept.

Women burn in this village. They burn for sick children. For failed crops. For the herbs they keep. Some are tired. Some are angry. Some pass secrets. But I didn’t decide to come back. Something small needed me to.

And now they know: the witch’s daughter didn’t die twelve summers ago.

I know the sound the drum makes before whispers spread like fire.
The air already smells like smoke.

Only now the boy who once broke the rhythm is a man.
And I am no longer seven years old.

Summary: This was a beautifully written and emotionally powerful novel that stayed with me long after I finished it. It’s the kind of book that asks difficult questions about humanity while still leaving room for hope. I’d recommend it to readers who enjoy emotional historical fiction, character-driven stories, literary fiction, and novels that explore resilience, culture, and hope after unimaginable loss.

See the full review here: Echoes of a Wild Girl’s Drum
Purchase here

A Cakewalk to Memphis by Brenda C. Wilson

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: In the sweltering summer of 1958, the Jim Crow South is a landscape defined by danger, secrecy, and the need to survive.

A Cakewalk to Memphis, the debut novel by Charlotte-based author Brenda Wilson, follows Big Sallie Morning, a determined Black cleaning woman from Memphis who becomes caught up in a desperate search for her pregnant niece’s missing husband. What starts as a personal mission quickly turns into a dangerous journey across a segregated South, where each bus stop presents new risks and every encounter holds hidden significance.

Big Sallie is a force of nature. Intelligent, observant, and shaped by a past she has never fully escaped, she navigates a world of smoky nightclubs, backroom gambling halls, bootlegging routes, and counterfeit schemes operating just beneath everyday life. As she seeks answers, she is also forced to confront buried parts of her own history, including the reputation that follows her from town to town.

Brenda Wilson vividly details the era with rich Southern textures. The novel moves through dry county beer joints with deceptively cheerful names, crowded juke joints where blues music carries both joy and sorrow, and a society defined by strict racial boundaries and constant danger. Each setting reveals another layer of a world where survival depends on quick thinking, tough choices, and knowing when to speak up or remain silent.

Inspired by family stories, including an aunt who was jailed in the 1940s and a cousin who became a blues singer, Wilson weaves personal history into a broader story of resilience and reckoning. Cakewalk to Memphis is a compelling historical novel about one woman’s journey through a fractured time and the strong pull of truth, memory, and responsibility.

Summary: A Cakewalk to Memphis feels like historical fiction crossed with a Southern mystery, with a little noir and a lot of family drama mixed in. It’s funny in places, genuinely tense in others, and much more interested in complicated women than perfect ones. Sallie’s journey starts as an attempt to find one missing man, but underneath that is a story about guilt, faith, motherhood, secrets, and how difficult it is to keep the people you love from making mistakes of their own. Readers who enjoy Southern historical fiction, strong older female protagonists, family secrets, historical mysteries, blues and Memphis settings, and books about complicated women trying to make peace with who they used to be may enjoy this one.

See the full review here: A Cakewalk to Memphis
Purchase here

Review: A Cakewalk to Memphis by Brenda C. Wilson

August 31, 2026 ~ likelystory18 ~ 1 Comment

Synopsis:

In the sweltering summer of 1958, the Jim Crow South is a landscape defined by danger, secrecy, and the need to survive.

Favorite Lines:

“Folks talked. There wasn’t much else in small towns except work, church, and gossip.”

“A woman has the right to some secrets.”

“She knew women who were willing to do anything to keep a man. But it was loneliness and the absence of love. The lucky ones learned that it was sorrow masquerading as love before it was too late.”

“I chose who I wanted to be.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

A Cakewalk to Memphis hooked me pretty quickly because Big Sallie Morning is such a great character to follow. She’s stubborn, funny, suspicious of basically everyone, deeply religious but not exactly saintly, and carrying around enough regret to fill the battered bag she takes with her across Alabama.

The story is set in 1958 and follows Sallie as she leaves Memphis to track down Tony Earley, the missing husband of her pregnant niece, Rebecca. Sallie already doesn’t trust Tony, and she has a very personal reason for being terrified that Rebecca is about to repeat the mistakes she made when she was young. Twenty years earlier, Sallie went looking for her own husband after he disappeared and that decision ended with her serving ten years in prison. So when Rebecca becomes desperate to find Tony, Sallie decides she’s going to get to him first.

I loved that this isn’t really a straightforward “find the missing husband” story. Sallie’s search takes her into juke joints, boarding houses, gambling, whiskey running, blues clubs and some genuinely dangerous situations. Pretty early on, she realizes Tony hasn’t simply wandered off. He’s tangled up with people who have money, secrets, and very little interest in a middle-aged woman from Memphis asking questions.

But the mystery was almost secondary for me because Sallie herself is so interesting. She is constantly judging everyone else’s bad choices while very clearly trying to outrun her own. She’s found religion, stopped drinking, traded her old clothes for church dresses, and would very much like to believe the woman she used to be no longer exists. Except that woman keeps showing up. Sometimes literally, when Sallie finds herself back in places and around people that remind her exactly who she once was. Her friendship with Annabelle especially brings that out because Annabelle knew her before she was “saved” and isn’t particularly interested in letting Sallie rewrite history.

There’s also a really interesting generational piece to the story. Sallie thinks she’s protecting Rebecca, but a lot of what she’s doing is actually about trying to prevent her niece from becoming her. That creates this tension between wanting to save someone you love and realizing that you can’t make their choices for them. Sallie’s past marriage, her prison sentence, her relationship with her family, and even the things she has never told Rebecca keep circling back into the present.

The setting is another huge strength. This book feels very rooted in Memphis and rural Alabama in the late 1950s. You get buses and railroad towns, dusty roads, church fans, rooming houses, jukeboxes, blues singers, cheap beer, cigarette smoke, cotton fields and neon spilling out of juke joints. There’s music running through the whole thing too, with blues and jazz becoming part of the atmosphere rather than just historical name dropping. At the same time, the book never lets you forget how dangerous this particular journey is for a Black woman traveling alone in the Jim Crow South. Sallie’s awareness of where she can go, who she can trust, and when she needs to keep her head down is always sitting underneath the story.

I also appreciated that Sallie isn’t written to be endlessly admirable. She lies. She steals. She meddles. She carries knives around and has a slightly alarming willingness to use them. She can be judgmental and hypocritical, and she has a habit of convincing herself she’s doing things entirely for somebody else’s benefit when guilt is obviously pushing her just as hard. But that messiness is exactly why she worked for me. She feels like someone who has lived a whole life before page one.

The book does get a little busy once more characters and old relationships start coming into the story. There were moments where I had to remind myself who was connected to whom, and some of the plot developments get pretty dramatic. But I was invested enough in Sallie that I didn’t mind much. The larger question of whether she can actually protect Rebecca without first dealing with her own past kept the story grounded for me.

Summary:

Overall, A Cakewalk to Memphis feels like historical fiction crossed with a Southern mystery, with a little noir and a lot of family drama mixed in. It’s funny in places, genuinely tense in others, and much more interested in complicated women than perfect ones. Sallie’s journey starts as an attempt to find one missing man, but underneath that is a story about guilt, faith, motherhood, secrets, and how difficult it is to keep the people you love from making mistakes of their own. Readers who enjoy Southern historical fiction, strong older female protagonists, family secrets, historical mysteries, blues and Memphis settings, and books about complicated women trying to make peace with who they used to be may enjoy this one. Happy reading!

Check out A Cakewalk to Memphis here!

Review: A Heart That’s True by Mark Guillerman

August 29, 2026 ~ likelystory18 ~ 1 Comment

Synopsis:

When all is taken, what remains?

In 1912, twelve-year-old Joseph Cross and his cousin Elizabeth White Cloud are torn from the foothills of Montana and sent across the country to the Carlisle Indian School, where children are stripped of their language, their traditions, and even their names.

Separated from home and forced into a world that sees them as something to be remade, Joseph and White Cloud must learn to survive in ways they never imagined. They face loneliness, danger, and a system determined to erase who they are. Yet through friendship, courage, and the teachings of their people, they begin to discover a strength no one can take from them.

Where courage walks, the spirit follows.

Along the way, their journey becomes intertwined with the legend of Big Black, a powerful wolf whose story mirrors their own struggle to belong in a world that fears what it does not understand.

A Heart That’s True is a moving and unforgettable story of resilience, identity, and the unbreakable bond between family, culture, and spirit. Inspired by real historical events, this novel shines a light on a chapter of history that must never be forgotten—and celebrates the courage to remain true to who you are.

Favorite Lines:

“The human spirit will never die in a heart that’s true.”

“The smell of the fresh morning air was strong medicine for Joseph.”

“Her grandfather had taught her many things in her young life, and one thing stood out: always remember and learn from her past.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

A Heart That’s True is historical fiction that takes on a part of American history that is incredibly difficult to read about, but important to remember. The story follows twelve-year-old Joseph Cross, a Lakota boy taken from his home in Montana and sent across the country to the Carlisle Indian Industrial School. Before he leaves, his grandfather gives him a piece of advice that basically becomes the heart of the entire book: no matter what happens to him, he has to hold onto who he is.

I think what worked best for me was that the book doesn’t only focus on the cruelty of Carlisle itself. A lot of the story is really about Joseph’s fear of losing his identity. There’s a moment before he even reaches the school where he meets an older Native student who has already adopted the clothing, speech, and mannerisms expected of him, and Joseph is genuinely terrified by what he sees. He’s been warned that people will try to “wash” his spirit away, and suddenly he understands what that might actually look like. That fear follows him throughout the book and makes even some of the quieter parts of his time at Carlisle feel unsettling.

Joseph’s relationship with his cousin White Cloud was another part I really liked. They’re separated after arriving at Carlisle, but their connection to each other and to their grandfather gives the story an emotional anchor. White Cloud is also a compelling character on her own. She’s older, more guarded, and much more aware of what is happening to them, while Joseph still has a little bit of childhood innocence left.

And then there’s Big Black, who honestly ended up being one of my favorite parts of the book. He’s a huge black wolf/Newfoundland mix Joseph meets during the journey east, and their immediate connection initially seems like a sweet little break in an otherwise bleak situation. But Big Black becomes much more important than that. Joseph connects him to Lakousa, the Wolf King from one of his grandfather’s stories, and the wolf becomes tied to this larger idea of home, freedom, and the part of Joseph that Carlisle can’t take away. I really liked how that storyline brought a slightly mythical feeling into what is otherwise pretty grounded historical fiction.

There are also quite a few real historical figures and events worked into the story. Jim Thorpe has a particularly meaningful role rather than just popping up for the sake of having a recognizable name. His quiet friendship with Joseph becomes another source of encouragement for him, especially when Joseph is able to tell the stories his grandfather taught him instead of being ashamed of them. I thought those scenes were some of the strongest because they show resistance in a much quieter way. Joseph isn’t necessarily making some huge rebellious stand. Sometimes simply remembering and telling his people’s stories is the rebellion.

I did think the writing could be a little heavy on historical explanation at times. There are sections where the story pauses to give quite a bit of background on people, places, and events.. At the same time, I understand why so much context was included, especially because Carlisle and the broader history surrounding Indian boarding schools may be unfamiliar to some readers.

Summary:

Overall, A Heart That’s True is a moving story about identity, family, survival, and refusing to let someone else decide who you are. There are some genuinely painful parts, but there is also a surprising amount of warmth in Joseph’s relationships with White Cloud, Big Black, and the people who show him kindness along the way. It isn’t necessarily a light historical fiction read, but it has a lot of heart. I’d recommend this to readers who enjoy American historical fiction, coming-of-age stories, books about Indigenous history and boarding schools, animal-human bonds, and stories centered around resilience, family, and finding your way home. Happy reading!

Check out A Heart That’s True here!