Tag: fantasy

Review: Daughter of the Golden Realm by Eva Barber

~ likelystory18 ~ 1 Comment

Synopsis:

Emery inherits a mystical necklace and a cryptic warning of its importance to humanity’s survival. When her mother’s body vanishes, Emery leads a band of refugees into a desolate, post-apocalyptic world and an eerie underground city, ruled by unscrupulous and immortal beings. Grieving her mother’s death, haunted by visions emitted by the necklace, and pursued by assassins enhanced by the technology her mother had invented, she uncovers a conspiracy that stretches from a dying Earth to the fabric of the universe itself. But things get even more complicated when a mysterious woman kidnaps her beloved Peter. She and her small group race against time to find him and stop a cosmic threat. Once again, destiny forces Emery to embrace her fate, which is far greater and more terrifying than she ever imagined, and to make an impossible choice.

Favorite Lines:

“Have hope. We’ll see stars again.”

“You need to be vicious to protect the ones you love.”

“Don’t be afraid…I’ll be with you all the way.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Daughter of the Golden Realm throws you immediately back into Emery’s complicated world, where every answer seems to uncover even more questions. She is still dealing with grief, uncertainty, and the strange golden necklace left to her by her mother, while also trying to understand what the Masters have done to the world and what role she is supposed to play in whatever comes next. There is a lot happening in this installment, but underneath the science fiction, dystopian conflict, and mythology, I thought this was really a story about Emery trying to understand where she belongs and how much of herself she is willing to give for the people she loves.

One of my favorite parts of the book was watching the world gradually open up beyond the gray underground city. The ruined landscape Emery and the others travel through is bleak, and some of the imagery makes the destruction feel much more tangible than simply being told that the planet has died. At the same time, the group begins encountering more survivors and learning that the situation is not as simple as humans versus monsters. I appreciated that the story allows for more moral gray area here. Emery can be impulsive and incredibly stubborn, but her refusal to completely give up on people is also one of the things that makes her feel like herself.

The middle of the book leans more heavily into the rebellion against the Masters and feels like a larger-scale dystopian adventure. The group uncovers more about how the gray world operates, who benefits from it, and how much control has been built into this supposedly improved society. The book has a fairly pointed environmental and social message, especially around power, inequality, immortality, and the idea of preserving a select few while everyone else suffers. It is not always subtle, but it fits the exaggerated scale of the world and gives the conflict more weight than a simple good-versus-evil setup.

For me, though, the strongest material is the more personal side of the story. Emery’s relationships with Peter, Sebastian, Tirg, Danuta, and her mother remain central even as the plot becomes much bigger. There is a constant tension between Emery wanting to protect everyone herself and the people who love her refusing to let her carry everything alone. The romance also has a bittersweet quality because Emery and Peter’s connection has always existed alongside questions about time, dimensions, and whether two people can really continue finding one another no matter what happens.

The final portion of Daughter of the Golden Realm becomes much more mythic and blends science fiction with fantasy, ancient symbolism, prophecy, and cosmic mystery. The book’s scope expands considerably, but it still comes back to Emery and the people she is fighting for. I liked that the story never completely loses sight of that emotional core, even when the world-building becomes much stranger and more ambitious. This installment answers some major questions while also opening the series into something much larger, and I think readers already invested in Emery’s journey will probably find a lot here to enjoy.

Summary:

Overall, Daughter of the Golden Realm is an ambitious mix of post-apocalyptic science fiction, dystopian rebellion, fantasy, mythology, romance, and family drama. The story follows Emery as she and her companions continue searching for answers about the destroyed Earth, the Masters, the mysterious golden necklace, and Emery’s own connection to forces she still does not fully understand.

I think this book would appeal most to readers who enjoy genre-blending speculative fiction, complicated world-building, found and biological family dynamics, environmental themes, supernatural or science-based powers, dystopian resistance stories, and romances built around the idea of soulmates finding one another across impossible circumstances. Because this story continues a much larger series mythology, I would definitely recommend reading the preceding Dark World books first rather than treating this as a standalone. Happy reading!

Check out Daughter of the Golden Realm here!

 

Review: There Be Dragon by Michael Tars

~ likelystory18 ~ Leave a comment

Synopsis:

THERE BE DRAGON is an adult epic fantasy with slow-burn romance in a sprawling world of magic, greedy demigods, and dark prophesies.

When the people of magical Kalador prayed for a savior, they summoned Kwe—a battle-scarred soldier from a futuristic Earth who is plagued by memories of his violent past. He’s told that an ancient Dragon’s spirit resides within him and that together they’re destined to protect the realm from hungry demigods plotting Kalador’s demise.

Now, voices of several Dragons crowd Kwe’s mind, each with their own agenda, all threatening to take over. Cut-throat court politics and strange magic, assassination attempts and threats of imminent war are bad enough; it’s worse to fall in love when romance is impossible. Though try explaining that to the amorous dragon within…

Common-born Kira didn’t expect to become the Chosen. Now she must bind the new Lord Dragon’s soul to Kalador. If only he’d see not just her duty, but also her love.

With threats multiplying, and Kira’s life on the line, Kwe’s only choice is to embrace the dragons—without losing himself in the process. He might be a pawn in some demigod’s secret game, but he won’t be broken or controlled.

With a nefarious demigod plotting from the bottom of the ocean, will Kwe’s newfound
Dragon powers and battlefield experience be enough to keep the country and those he loves safe?

An adult fantasy romance for fans of romantasy, dragons, forbidden romance, and mysteries demanding to be solved.

Favorite Lines:

“The hardest lies to see are those you tell yourself.”

“Nothing had changed, yet everything was different.”

“Wars were costly. Even for the victor.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

There Be Dragon opens like a futuristic military science fiction novel before abruptly turning into something completely different. Lieutenant Colonel Kwe is leading a raid in a technologically advanced version of Earth when he sacrifices himself to save his best friend and expects to die. Instead, he wakes up in the snow beneath a perfectly blue sky, surrounded by three girls who are convinced they have just summoned their country’s new Lord Dragon. Kira, Maya, and Kira’s younger sister Nora have been sent out as part of an ancient ritual meant to find Kalador’s new divine protector, and through either fate, magic, or some very enthusiastic pompoms, they find Kwe. It’s a strange setup, and the collision of genres gives the story an unusual starting point. Kwe tries to analyze everything through the eyes of a highly trained soldier from an advanced civilization, while everyone around him interprets his technology through the perspective of a world where magic and gods are completely real.

What I found more interesting than the actual “man from the future becomes a dragon” premise was the way Kwe reacts to the society he’s landed in. Kalador treats him as an all-powerful ruler almost immediately, but he is increasingly horrified by many of the traditions everyone else considers normal. This is especially true when it comes to the treatment of women. Kira was facing marriage to an abusive man, Maya’s father was essentially negotiating a price for her, and all three girls are suddenly told that they now “belong” to Kwe as his Maidens. Kwe’s refusal to simply accept that arrangement creates an interesting tension within the story. Even when he’s attracted to Kira, he is conscious of the fact that her society has given her very little real choice, and he doesn’t want his position as Lord Dragon to become another way for someone else to control her. That complicates their developing relationship, particularly as Kira tries to establish that what she wants is actually her own decision.

Kwe also begins challenging Kalador’s traditions in smaller ways. He isn’t only interested in defeating enemies with futuristic weapons or demonstrating how technologically superior his world was. He cooks, insists that his Maidens eat with him, recruits women as fighters and bodyguards, teaches the girls to defend themselves, and treats servants and commoners with a level of respect that repeatedly confuses the people around him. These moments help establish the kind of ruler Kwe intends to be, although I did find there was sometimes a disconnect between the story’s criticism of Kalador’s treatment of women and the way its female characters were presented elsewhere in the narrative. One particularly meaningful moment comes when Kwe meets Moira, the cook who cared for Kira and Nora when their own family failed them. Rather than dismissing her as a servant, Kwe kneels before her, thanks her, and promises to care for “her girls.” It’s a relatively small moment compared to the larger political conflicts surrounding Kalador, but it reveals quite a bit about how Kwe sees the people who have unexpectedly become part of his life.

There is plenty of action, magic, political maneuvering, romance, and humor, with the relationships between Kwe, Kira, Maya, and Nora forming a significant part of the story’s emotional foundation. Kwe begins the book mourning a life he believes he has lost, but over time, Kalador stops feeling quite so much like somewhere he has accidentally landed and starts becoming somewhere he genuinely wants to protect. The ending leaves the larger story unfinished, particularly when it comes to Leviathan and the threats gathering around Kalador, while still bringing Kwe’s personal journey in this installment to an important turning point. By the final pages, the people gathered around him represent the connections he has formed in a world that was completely foreign to him when the story began.

I do want to flag that there are some parts of this book that are, in my opinion, problematic. While I appreciated the novel’s emphasis on consent and Kwe’s efforts to challenge Kalador’s treatment of women, I sometimes found the repeated focus on the women surrounding him and their attraction to him excessive. There were also a few adult-oriented jokes involving a much younger character that I personally found uncomfortable and unnecessary. These elements occasionally distracted me from what I thought were the more interesting aspects of the story, particularly the clash between Kwe’s futuristic values and the traditions of his new world. Because these elements may be significant for some readers, I think they are worth mentioning as part of my overall experience with the book.

Summary:

Overall, There Be Dragon is a genre-blending portal fantasy about a futuristic soldier who finds himself transported into a medieval world and mistaken, or perhaps correctly identified, as its newly summoned Lord Dragon. As Kwe tries to understand his new powers and the Dragon sharing his consciousness, he also has to navigate a society whose traditions surrounding class, gender, marriage, and political power often conflict sharply with his own values.

I think this may appeal to readers who enjoy portal fantasy and isekai-style stories, powerful protagonists, science fiction mixed with traditional fantasy, dragons, political worldbuilding, found family, and stories where a modern or futuristic character introduces new ideas into a less technologically advanced society. Readers should also be aware that the book contains a significant romantic and sexual component, including some material that may be uncomfortable for certain audiences. The story also deals with darker subjects involving abuse, exploitation, sexual violence, assassination attempts, and war.

You can find the book trailer here
Check out There Be Dragon here

 

 

Review: Fire Breathes Stone and Storm by Teresa Hakaraia

~ likelystory18 ~ 1 Comment

Synopsis:

Sekya has spent her life making herself small.

Raised in an orphanage alongside Khala, Riva, and Lio, she has done whatever it takes to keep her found family together — even if it means surviving in Silk House, a pleasure house in the fire dominion of Eratari.

On the world of Thyra, power belongs to the Taniva: rare shapeshifters who carry the blood of the first elemental creatures.

Sekya is not one of them.

Then one night, watching from the balcony, Sekya sees the Queen return in phoenix-drake form, her Taniva wings cutting through the dark, her wounded son carried on her back.

Then time just stops.

The city is motionless.

The Queen hangs suspended above the lake, her great wings caught in mid-beat. And on her back, wounded and dying, Prince Kairon lifts his head — and turns to find Sekya, as though he knows exactly who stopped the world.

From that moment, Sekya’s attempt to remain unseen becomes impossible. She begins to share dreams with Kairon, drawn into a connection neither of them understands and neither can ignore.

When the Queen comes searching for the girl from her son’s visions, she finds more than Sekya. She finds four young people who carry something she cannot name: a strangeness in them, a power she can feel but not identify. Whether they are the answer to saving her son, or a threat to him, the Queen does not yet know.

What follows will change everything they thought they were.

Khala holds fire.
Riva holds water.
Lio holds stone.
And Sekya — Sekya can hold time itself.

Four orphans. Four powers that should not exist. And a world of four dominions holding a peace none of them fully trust.

But the thread between Sekya and Kairon runs deeper than magic. Deeper than blood. Deeper than anything either of them knows how to name.

Some connections cannot be undone.

Some costs cannot be survived.

Favorite Lines:

“What I do know…is that you are not some mistake Silk House made. You and your family love each other fiercely. You protect each other. You are Eratari.”

“Last night, I had not wanted to become another thing a man wanted from me. I wanted to be seen. Wanting, on its own, was too easy. Men did it all the time.”

“You are the most beautiful woman I have ever seen. And you love me.”

“I only hope tomorrow finds us worthy of what comes after.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Fire Breathes Stone and Storm is the kind of fantasy that throws you into a fairly expansive world but keeps the emotional center of the story surprisingly intimate. At the center of the story is Sekya and the family she has created with fellow orphans Khala, Riva, and Lio. They have grown up relying on one another, and I liked that the story establishes those relationships as something worth protecting before their lives begin changing. As Sekya discovers there is more to her own identity and abilities than she realized, the world around the four of them starts opening up as well. What begins as a more personal story gradually introduces elemental powers, divided dominions, political tensions, and a mythology that suggests their lives are connected to something much older and more complicated than any of them know.

I thought Sekya’s struggle with belonging was one of the more interesting parts of her character. She’s fiercely protective of the people she considers family, but she doesn’t always extend that same confidence or sense of worth to herself. Her growing connection with Prince Kairon complicates things further, especially as the line between dreams and reality becomes increasingly difficult to understand. There is romance here, but I appreciated that Sekya’s story isn’t entirely defined by it. Her bond with the other orphans remains an important part of who she is, and there is an underlying tension between the life and family she already knows and the unfamiliar world that seems determined to claim her.

The world itself has a lot of moving pieces, and this definitely feels like the first installment of a series that plans to keep expanding. The elemental magic is only one part of it. There are four dominions with their own histories and conflicts, strange creatures, the mysterious Shell, and questions surrounding a sleeping god and the characters’ origins. I was particularly interested in the way the story touches on what happens when a society’s understanding of its own history is incomplete. Ariki’s experiences add another perspective to that idea, bringing prejudice and cultural identity into a story that could otherwise have remained focused primarily on magic and political conflict. There are still a lot of questions left unanswered, but I get the sense that many of the smaller details introduced here will become more important as the series continues.

The pacing does take its time, particularly as the story works to establish both its characters and a fairly complicated fantasy world. There were places where I thought things could move a little faster, but I also understand why so much groundwork was necessary for what appears to be a much larger story. I found myself more interested in the mysteries surrounding the characters and their connections to this world than in having every answer immediately. By the end, it becomes clear that what happens in this book is really only the beginning, so readers should go in expecting the start of an ongoing story rather than something that wraps everything up neatly.

Summary:

Overall, I thought Fire Breathes Stone and Storm was an interesting introduction to a fantasy world with plenty of room to grow. For me, the strongest aspect was the idea of these four young people who have already chosen one another as family finding themselves pulled toward identities and destinies they never asked for. The magic and mythology create the larger mystery, but it’s the questions of belonging, identity, and what makes someone your family that give the story its emotional foundation. There is clearly much more waiting to be uncovered about the Shell, the characters’ powers, and the history connecting everything together, and I think readers who enjoy settling into the beginning of a larger fantasy series will find plenty here to make them curious about what comes next. Happy reading!

Check out Fire Breathes Stone and Storm here!

 

Review: Eidolon: From the Case Files of the OHR by C.L. Stiles

~ likelystory18 ~ 1 Comment

Synopsis:

When a man vanishes from a Kansas City diner — pulled through reality by forces no one can explain — Nathan Quipp knows it’s only the beginning.

As director of the Office of Hidden Realms, Nathan has spent his career keeping the supernatural world invisible to those who can’t handle the truth. But something is moving even deeper beneath the surface. Ley lines are surging. Cross-realm incursions are rising. And a near-divine source whispers the need to find the missing man — the Eidolon.

Now Nathan’s team is scattered across two continents and twelve centuries, racing to piece together a mystery that reaches from the streets of Kansas City to ancient Stonehenge and back again. The Veiled world is fracturing. The Unveiled are running out of time.

And something much older than the OHR is finally paying attention.

Eidolon: From the Case Files of the OHR is the first installment of the OHR Case Files.

Favorite Lines:

“Magic or no magic, she wasn’t starting Sunday without coffee.”

“You just found out the world is even bigger and stranger than you thought…And I won’t lie and say there’s nothing to fear.”

“The Keeper peered deeper into Nathan where the true battle raged. Not of flame, but of faith, of love. No, the memory of love.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Eidolon feels like a mashup of urban fantasy, paranormal procedural, supernatural horror, and found-family adventure, but in a way that’s genuinely fun instead of overly self-aware. The setup hooked me almost immediately. A man vanishes inside a diner without any trace of magic, one witness remembers what happened while others mysteriously forget, and suddenly we’re pulled into the hidden world of the OHR, the Office of Hidden Realms. From there the novel opens wider and wider, introducing ghosts, fae, magical investigators, shapeshifters, strange prophecies, hidden archives, and a growing sense that something ancient and catastrophic is moving behind the scenes.

What worked best for me was the tone. The book balances mystery and danger with a surprisingly relaxed, conversational style that makes the world feel approachable even when the lore gets complicated. Sandra and Jasmine especially carry a lot of the early momentum. Their dynamic is one of the strongest parts of the novel because Sandra has this exhausted, sarcastic competence while Jasmine reacts to the supernatural world in ways that actually feel believable. She’s overwhelmed, curious, skeptical, and fascinated all at once. Their conversations help ground the story whenever the mythology starts expanding outward.

Nathan’s storyline adds a very different emotional layer to the book. Underneath all the monsters and magical investigations, there’s a pretty consistent thread of grief running through the novel because of Anne’s death and Nathan slowly reconnecting with abilities he thought were gone. I liked that the emotional side never completely disappears beneath the action. The supernatural elements matter, but the characters’ personal losses and fears matter too. Even some of the side characters, like Mia or Taft, feel more fleshed out than you’d expect in a book juggling this many concepts.

The worldbuilding is honestly huge. The OHR itself feels like a blend of Men in Black, The Dresden Files, Supernatural, SCP Foundation, and folklore-heavy urban fantasy. Every few chapters the reader gets introduced to something new: magical archives, latent abilities, weavers, fae bargains, edge events, ancient beings, hidden blogs, undead archivists, and supernatural politics. Normally this amount of lore would bog a book down, but Stiles usually keeps things moving by tying the exposition directly to active investigations or character interactions. The inserted guidebook sections and informational entries were also a smart choice because they help explain the setting without forcing characters into unnatural exposition dumps.

That said, the book absolutely prioritizes atmosphere, lore, and character interactions over tight plotting. There are stretches where the story feels episodic, almost like watching a supernatural TV series with monster-of-the-week energy slowly building toward a larger threat. Personally, I think that structure mostly works because the cast is enjoyable to spend time with, but readers looking for a very streamlined plot may occasionally feel like the story wanders. 

I ended up really enjoying this. The novel has genuine personality, and that matters a lot in crowded urban fantasy. It feels written by someone who genuinely loves folklore, supernatural horror, conspiracy fiction, and paranormal investigation stories. More importantly, it feels like the author actually enjoys these characters. By the time the larger mythology involving the Serpent King and the Eidolon itself starts taking shape, I was invested enough that I wanted to keep following the OHR into future books.

Summary:

Overall, Eidolon is an urban fantasy/paranormal mystery novel centered around the Office of Hidden Realms, a secret organization dealing with supernatural threats hidden beneath everyday life. The story mixes magical investigations, folklore, ghosts, fae, monsters, prophecies, and hidden conspiracies with a surprisingly emotional undercurrent about grief and identity. The tone balances humor, mystery, horror, and found-family energy while gradually building toward a much larger supernatural conflict. Readers who enjoy The Dresden Files, Supernatural, Men in Black-style organizations, SCP-style lore, paranormal procedurals, or ensemble urban fantasy casts will probably have a great time with this. Happy reading!

Check out Eidolon: From the Case Files of the OHR here!

 

Monthly Features – April 2026

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SETTUP by TK Thoits

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: Respected neurologist and researcher Stella Murray was confident the FDA would approve the experimental medication based on its demonstrated superior efficacy. Knowing a serious side effect would not derail the approval process, she reports that a patient had a significant reaction to the investigational drug.

Shortly thereafter, Grand Rapids Detective Troy Evans is called to investigate the suspicious death of a Site Monitor who, he learns, worked with Murray. Evans asks Murray to educate him on the unfamiliar world of medical research. She discloses that conducting investigational drug studies has become a multibillion-dollar industry, with power brokers providing more oversight than the government.

When Murray informs Evans that a second Site Monitor has been killed, they team up to take down the corruption that is mercilessly burying unwelcome researchers and results of a promising drug trial.

Summary: Overall,  SETTUP is a fast, detail-heavy medical thriller that starts in the ER and expands into a layered story involving clinical trials, corporate pressure, and a criminal subplot. The medical realism is strong, and the tension builds as the threads begin to connect. The tone can shift a bit—especially with the assassin storyline—but it adds a darker, more unsettling edge. Best for readers who like medical dramas with conspiracy elements and multiple POVs rather than a single, straightforward narrative. 

See the full review here: SETTUP
Purchase here

The Knight’s Last Stand by Bear Pardun

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: In a world where gods walk among mortals and divine tyranny crushes the innocent, one knight’s investigation into ritual murders uncovers a conspiracy that threatens to consume an entire city. Commander Victus Andreas discovers that the seemingly random cult killings in Lindly are part of a far darker plan—the dark elven goddess Lestar seeks to harvest the souls of every citizen to feed her master’s insatiable hunger for power.
When Victus returns from his annual pilgrimage to find his city overrun by disguised dark elves posing as holy inquisitors, he must rally a small band of loyal soldiers, his adopted son Aris, and unlikely allies to stand against overwhelming odds. As ancient magic tears through the city and divine politics threaten to destroy everything he’s sworn to protect, Victus faces an impossible choice: save his people or preserve his own soul.
With breathtaking battles, complex characters wrestling with duty and honor, and a magic system that explores the cost of power, Battle of Lindly launches an epic fantasy series that challenges the very nature of divine authority. In Bear Pardun’s richly imagined world, heroes are forged not by destiny, but by the courage to defy gods themselves.

Summary:  Overall, I found this book to be a gritty, sincere fantasy that leans hard into classic themes of honor, sacrifice, and legacy. The writing had an emotional core — especially the father-son relationship and the relentless sense of duty.  If you like fantasy that is sincere about honor, duty, and sacrifice, then this book could be for you. 

See the full review here: The Knight’s Last Stand
Purchase here

Review: The Knight’s Last Stand by Bear Pardun

~ likelystory18 ~ 2 Comments

Synopsis:

In a world where gods walk among mortals and divine tyranny crushes the innocent, one knight’s investigation into ritual murders uncovers a conspiracy that threatens to consume an entire city. Commander Victus Andreas discovers that the seemingly random cult killings in Lindly are part of a far darker plan—the dark elven goddess Lestar seeks to harvest the souls of every citizen to feed her master’s insatiable hunger for power.
When Victus returns from his annual pilgrimage to find his city overrun by disguised dark elves posing as holy inquisitors, he must rally a small band of loyal soldiers, his adopted son Aris, and unlikely allies to stand against overwhelming odds. As ancient magic tears through the city and divine politics threaten to destroy everything he’s sworn to protect, Victus faces an impossible choice: save his people or preserve his own soul.
With breathtaking battles, complex characters wrestling with duty and honor, and a magic system that explores the cost of power, Battle of Lindly launches an epic fantasy series that challenges the very nature of divine authority. In Bear Pardun’s richly imagined world, heroes are forged not by destiny, but by the courage to defy gods themselves.

If you enjoyed The Way of Kings, The Blade Itself, and The Shadow of What Was Lost, you’ll love Battle of Lindly.

Favorite Lines:

“For all the military training, for all the knowledge that one could learn, humility was to be the shroud of an authentic hero of the light.”

“The way I see it, half-pal, you gave this man a heart—based on who you are as a human. Charismatic, kind-hearted, heroic, loyal—you are a good man. I would dare say a great man. A testament to your race. Yes, you have trained and disciplined your son to be a warrior. He will bring destruction and doom
to those who stand against righteousness. You taught him when and how to fight. It is actually remarkable to see such a young human so beyond his years. Some of your kin live to their twilight years without even a quarter of what that boy has in his head. You have done right by him and by me, personally.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

There’s something kind of earnest about The Knight’s Last Stand that’s hard to ignore. It’s not trying to reinvent fantasy. It’s not trying to be clever or ironic or subversive. It just… commits. Fully. To knights, gods, blood oaths, dark magic, and the idea that honor still means something.

And honestly? That works more often than it doesn’t.

The book opens brutal.  The whole ritual with Desa sets the tone in a way that doesn’t really let up. It’s dark in a very old-school fantasy way, almost grimdark-adjacent, but without the cynicism. It’s more like: this world is cruel, but there are still people trying to be good anyway.

That’s really where the story lives.

At the center is Aris, but the emotional backbone is actually Victus. The father-son dynamic is what gives the story weight. You can feel how much of Aris is shaped by Victus’s choices, especially the choice to walk away from something bigger (archdom, power, legacy) just to raise him. That’s the kind of thing the book doesn’t over-explain, but it lingers in the background of everything.

The early sections with Aris feel almost deceptively light. There’s training, joking, small-town interactions, Serin sneaking around being chaotic. It almost reads like a coming-of-age story for a while. But there’s always this sense that something is wrong under the surface. And when it shifts, it shifts fast.

Nibarn is a really solid antagonist. Not because he’s intimidating, but because he’s weak. Addicted, unraveling, desperate. The kind of villain who knows he’s in too deep and keeps going anyway. That whole thread with Lestar and the manipulation is honestly one of the stronger parts of the book. It gives the evil side some texture beyond just “dark elves bad.”

Where the book really shines is in the action and momentum. The fight scenes are constant, detailed, and very physical. You always know where people are standing, what they’re doing, what it costs them. It leans hard into that tactile style — blood, weight, exhaustion, mistakes. Aris especially gets put through it. He loses fights. He gets humiliated. He keeps getting back up anyway.

This is a story about:

  • choosing duty even when it costs everything
  • trying to be good in a world that punishes it
  • legacy, especially between fathers and sons
  • and what it actually means to stand your ground when you know you might lose

By the end, it leans fully into that last idea. The title isn’t subtle, and the book doesn’t try to be.

It earns it.

Summary:

Overall, I found this book to be a gritty, sincere fantasy that leans hard into classic themes of honor, sacrifice, and legacy. The writing had an emotional core — especially the father-son relationship and the relentless sense of duty.  If you like fantasy that is sincere about honor, duty, and sacrifice, then this book could be for you. Happy reading!

Check out The Knight’s Last Stand here!

Monthly Features – February 2026

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Twin Rivers by Jeremy Bender

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: The High Priest rules the city of Twin Rivers in the name of the Lord of Mercy, his AI god. In this land, where robotic Brothers complete all labor and humans are left to enjoy the fruits of this Eden, something rotten grows. Yonatan, a newly ascended Priest in the sclerotic Priesthood, is meant to shore up the faith of those left behind. Yet as Yonatan’s preaching takes him deep into the city’s bowels, he must confront heresy far deeper rooted than he ever imagined. When he sees one of the city’s paramilitary Keepers leave a young woman to die because of her unsanctioned implants, Yonatan must decide whether his faith in the Lord of Mercy outweighs his own belief in human exceptionalism.

Summary: Overall, Twin Rivers is a dense, unsettling dystopian sci-fi novel about a city that calls itself paradise while feeding on control, faith, and violence. Through priests, enforcers, and those left outside the walls, it explores how power hides behind ritual and how mercy becomes a weapon. Dark, intense, and uncomfortable in the right ways, it’s a story about what people are willing to ignore to keep believing they’re safe.

See the full review here: Twin Rivers
Purchase here

The Dog Years of Ananias Zachenko by Paul H. Lepp

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: What do you do when you run out of time? Ask Ananias Ezra Zachenko what he did after he was diagnosed. He set an agenda, took care of finances, delved into relationships, considered the heroic act. Didn’t go into denial, but defiance, there’s a difference.

He put it all in motion during the time he had left. A dog gets seven years to our one. Chenko rationalized the relationship by taking the best from both, our days the dog’s years and began to calculate. Anything to lengthen the short leash he is on.

During his dog years he planned for everything, but nothing turned out as expected. He concentrated on time, when he should have been looking at weight. No matter the type of year, when one runs out of time on this side, one has to figure out how to make weight on the other side.

Summary: Overall, The Dog Years of Ananias Zachenko  is a quiet, thoughtful novel about illness, time, and the way diagnosis forces a person to renegotiate their relationship with living. Grounded, reflective, and emotionally restrained, this story explores how we measure time when the future becomes uncertain — and whether time can ever really be controlled at all. 

See the full review here: The Dog Years of Ananias Zachenko
Purchase here

Her Ravishing Heartless Prince by A P Von K’Ory

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: He’s a European prince with a thousand-year lineage—and he hates her as much as he craves her.

Alyssa:

Prince Carl-Theodor Frederick Maximillian Christoph Albert Maria Johann Anselm is as insufferable as his name is long. Arrogant, powerful, entitled—everything I despise wrapped in devastatingly gorgeous packaging.

So I do what I do best: verbally eviscerate him and his precious bloodline with razor-sharp insults. I avoid him like the plague.

But avoidance only delays the inevitable.

Soon he has me exactly where I’ve been secretly fantasizing—on my knees before him. The problem? I can’t tell if this is seduction or revenge. Prince Hot and Cold swings between arctic ice and molten lava, dragging me to the edge of beautiful insanity.

The real question: will I survive the fall?

Prince Carl-Theodor:

Alyssa obliterates my world like a derailed train the moment we meet. Her beauty blinds me—then her vicious tongue insults thirteen thousand years of noble bloodline.

No one has ever dared.

As Head and Defender of the House of Saxony-Bremer, I vow on my ancestors’ graves to make her pay. I’ll bend her. Break her. Make her beg until she drowns in regret.

But here’s the twisted irony that threatens everything: hurting her destroys me too.

I can watch her crumble, hear her wounded cries—but the moment she surrenders, something in my chest stops cold.
Have I sworn an oath that will damn us both? And why does her pain feel like my own destruction?

Summary: Overall, this is a high-drama, ego-heavy royal romance where attraction and revenge walk hand in hand. If you enjoy dominant alpha tension, pride-fueled misunderstandings, and romance wrapped in luxury and lineage, this delivers an intense, indulgent ride.

See the full review here: Her Ravishing Heartless Prince
Purchase here

The 7 Albums of Stovepipe by Paul H. Lepp

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: From 1948 to 1982 nothing was as high mileage as a turntable. The speed limit was set at 331/3 rpms to take a spin down a highway of tunes on a ten-inch vinyl LP (Long Play) record album. The turning point 1982 when Compact Discs began to put the albums in our attics and closets. To some the change from LP to CD was a turning point on the same level as BC to AD. A wealthy collector has a well-trained staff they spend their time on finding the artifacts the turning points of the Boomer Generation left behind, items like Lee Harvey Oswalt’s belt, Jack Ruby’s cuff links. His staff comes across a nine word offer on the net, “Any Albums Made by the Stovepipe – Name Your Price.” He allows his staff to investigate, the project becomes an obsession. What they find out is a group known as The Chronologists are also interested in the authenticity of Stovepipe, the Musical Massiah between LP and CD, master of voice and instrument, lord of technology. Both Collector and Chronologists want to prove Stovepipe beyond a myth like Paul Bunyan or Johnny Appleseed, but for different reasons. One wants to prove he is alive, the other dead, and only one can be right.

Summary: Overall, a dense, unconventional novel that blends conspiracy, cultural history, and myth-making, The Seven Albums of Stovepipe is less about proving whether its central figure exists and more about why we need him to. The book rewards patient readers who enjoy experimental fiction, unreliable narrators, and stories that feel part oral history, part conspiracy file — especially those interested in music culture and how influence gets erased or mythologized. 

See the full review here: The 7 Albums of Stovepipe
Purchase here

Review: The Journey of the Wish – Part I: The Grey Winter of the Enslaved by Stefanos Sampanis

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Synopsis:

I perceived the world and acknowledged all of its colours. There was truth; the kind you cannot simply speak of. A tale suits the cause better. It is a disguise that anyone can enjoy and if intrigued, look behind it. This is my testament. A fantasy saga exploring the most human reality. A Journey that lies ahead and matures with each page turned.

Favorite Lines:

“Yet, though that name somehow remained, most of his knowledge from those days is useless and forgotten – belonging to a life vastly different from the cursed existence he now endures.”

“More important than anyone, but least important to all.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

The Grey Winter of the Enslaved is a book that doesn’t ease you into its world—it immerses you, then asks you to endure it. From the opening pages, it’s clear this is a story built on suffering, memory, and consequence, told through a mythic lens that feels both ancient and emotionally immediate. The prose leans lyrical and deliberate, often reading more like a lament or an oral history than a conventional fantasy narrative, which suits the story it’s trying to tell.

What stood out to me most is how deeply this book commits to the idea of loss as a permanent condition rather than a temporary obstacle. Glimm’s story isn’t about overcoming trauma in a neat, redemptive arc; it’s about surviving it, living alongside it, and being shaped—sometimes deformed—by it. The physical transformations inflicted on the Enslaved mirror the emotional ones, and the book never lets you forget the cost of endurance. Winter here isn’t just a season; it’s a system, a sentence, and a state of being.

The worldbuilding is dense and methodical, layered with gods, rituals, hierarchies, and mythic laws that govern who belongs where and at what cost. This isn’t the kind of fantasy that explains itself quickly or cleanly. Instead, it trusts the reader to keep up, to sit with uncertainty, and to piece meaning together over time. At times, this can feel heavy—especially when paired with the book’s emotional weight—but it also gives the story a sense of gravity and purpose. Nothing here feels accidental or decorative.

This is not an easy book, either emotionally or structurally. It lingers in grief, cruelty, and moral ambiguity, and it often refuses the comfort of hope. But there’s something quietly powerful in that refusal. The Grey Winter of the Enslaved feels less like a story meant to entertain and more like one meant to be witnessed. By the end, it leaves you with the sense that survival itself can be a form of resistance—even when it costs more than it gives.

Summary:

Overall, The Grey Winter of the Enslaved is a dark, myth-heavy fantasy that leans into grief, endurance, and moral cost rather than heroics or easy redemption. I found it to be an emotionally demanding and richly imagined story where survival comes at a steep price and loss is never fully undone. It’s immersive, somber, and unapologetically heavy. This story could be for readers who enjoy lyrical, myth-inspired fantasy; stories centered on suffering, memory, and survival; and worlds governed by harsh systems rather than hopeful destinies. Best for patient readers comfortable with slow pacing, dense worldbuilding, and emotionally heavy themes. Happy reading!

Check out The Grey Winter of the Enslaved here!

 

Review: Fragile by Deborah Jay

~ likelystory18 ~ 1 Comment

Synopsis:

If you could heal your own body, what risks would you take?

When a childhood accident reveals Betha has a talent for magic, her terrified family insist she must never use it, for in Tyr-en, sorcery attracts the death penalty.

Brokered in marriage to an elderly lord, Betha must give up her dreams of serving in the kingdom’s guard, but as court life and intrigue become her adult world, she starts to discover there are advantages to her new position.

Settling into the privileged life of a noblewoman, she is unprepared when false accusation brings tragedy to her family, yet she determines to bring the guilty party to justice. Will she be able to do so without using magic? Or will she die trying?

FRAGILE is the origin story of a character who grew from a bit part in book #1 of THE FIVE KINGDOMS series, to a major player by book #3. It is a stand-alone story, but also an ideal entry point into the main series.

Trigger descriptions of injuries, self-harm, and torture.

Favorite Lines:

“She might never achieve her childhood dreams, but she could at least make the most of her situation.”

“Some things are worth a woman enduring for the benefits they bring.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Fragile is one of those books that looks like it’s going to be about magic, but ends up being about power — who has it, who doesn’t, and what it costs to take some back for yourself. From the opening chapters, Betha is framed as small, breakable, and constrained by everyone else’s fear. The irony, of course, is that she may be the most dangerous person in the room.

What makes this story compelling isn’t just Betha’s forbidden healing magic, but the way that magic is entangled with pain, control, and pleasure. This is not a clean, heroic ability. It’s intimate. Addictive. Complicated. The narrative never lets the reader forget that Betha’s power comes from harm — and that knowledge quietly shapes every choice she makes.

The world-building is confident without being overwhelming. Court politics, marriage arrangements, social hierarchy, and religious doctrine all feel lived-in rather than explained. Betha’s forced marriage to Lord Herschel is especially effective in how unromantic and transactional it is. The book doesn’t soften that reality, and it doesn’t rush Betha’s emotional adjustment either. Her growth feels incremental, often uncomfortable, and deeply human.

Friendship becomes one of the story’s strongest counterweights. The relationships Betha forms with other women at court — particularly Denia and Pirolanni — give her access to information, influence, and a kind of education she was never offered at home. These scenes crackle with subtext, gossip, and quiet maneuvering, reminding the reader that survival in this world often depends on who is listening when you speak.

By the time the novel moves into its darker turns — accusation, captivity, and reckoning — Betha is no longer simply reacting. She has learned how to endure, how to observe, and how to choose when to act. Fragile doesn’t pretend that power comes without consequence, but it does argue that denying yourself agency can be just as dangerous. In the end, the title feels less like a description of Betha herself and more like a warning about the systems built to contain her.

Summary:

Overall, Fragile is a character-driven fantasy that’s far more interested in power, autonomy, and survival than spectacle. What stands out most is how Betha’s healing magic is framed as intimate, dangerous, and morally complicated rather than heroic. The book excels at quiet tension—court politics, constrained marriages, and female friendships carry as much weight as the magic itself. While dark and sometimes uncomfortable, the story feels intentional and controlled, ultimately arguing that denying agency can be as destructive as wielding power recklessly. Happy reading!

Check out Fragile here!

 

Review: Daughters of the Crosslands by Brian Kerr

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Synopsis:

An immortal bond. A brother stolen by death. A sister who must risk everything to bring him back.

Senya never wanted to be a hero. But when a spectral woman arrives to deliver a harrowing claim—her twin brother is trapped in the Crosslands between the living and the dead—she has no choice but to fight for him.

Hunted by seductive wraiths and pursued across a wilderness of shadows, Senya must master terrifying new powers awakening inside her. Drawn into her struggle by fate and bloodshed, a scarred hunter with a haunted past seems to be her only real ally.

But saving her brother may be the bait for a far darker game—one that could ultimately destroy Senya along with everyone she loves. To unlock the truth, she must face a ruthless self-made queen of the Crosslands who will stop at nothing to seize Senya’s powerful gifts in order to command the origins of life itself.

Perfect for fans of Robin Hobb, Guy Gavriel Kay, and Katherine Arden, this is an epic fantasy of deadly secrets, haunting magic, and a sister’s fight against the shadows.

Favorite Lines:

“All I know is that the memory of friendship around here isn’t what it used to be.”

“I love you and we pay one another with promises we will keep, not with useless secrets.”

“Change can come hard…Or it can come easy. But change will always come, like Father used to say. I guess we might as well embrace it as best we can.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Daughters of the Crosslands opens in a place that feels lived-in rather than legendary. Senya’s world is built from small, physical details: stew simmering over a fire, lambs struggling to survive, the quiet work of tending life in a hard place. From the first chapter, the book makes it clear that this is not a story about chosen glory, but about endurance. Senya isn’t waiting for adventure—she’s trying to keep things alive, and already failing in ways that worry her.

What gives the story its weight is Senya herself. She is capable, guarded, and deeply tired in a way that feels earned. Her gifts have always set her apart, and the book doesn’t romanticize that isolation. Being different has cost her safety, trust, and belonging. When Cevellica appears at her door, the moment is unsettling not just because of the supernatural elements, but because it threatens the fragile stability Senya has fought to build. The danger isn’t only what lies beyond the door—it’s what being seen will cost her inside the settlement.

The relationship between Senya and her brother, Raedwin, forms the emotional backbone of the story. Their bond is complicated by love, resentment, and a long history of damage left in Raedwin’s wake. The book does something rare here: it allows Senya to be both loyal and angry, protective and exhausted. Helping him would mean reopening old wounds, and the story never pretends that sacrifice is noble just because it’s expected.

As the Crosslands and their messengers begin to encroach more fully on Senya’s life, the book shifts into a story about fear—how communities respond to it, and how quickly protection turns into exile. The settlement’s decision to cast Senya out feels brutal but believable. Kerr has written Daughters of the Crosslands in such a way that it is at its strongest when it explores this quiet cruelty: the way people justify harm when they believe it will keep them safe. By the time Senya leaves for Pentmore, the question is no longer whether she will act, but what it will cost her to do so.

Summary:

Overall, Daughters of the Crosslands is a slow-burn fantasy about isolation, responsibility, and the cost of loving someone who keeps walking into danger. Centered on a woman who just wants a quiet life but can’t escape her past, the story explores fear—personal and communal—and how quickly safety becomes an excuse for cruelty. Grounded, tense, and deeply human, it’s a fantasy that cares more about consequence than spectacle. Happy reading!

Check out Daughters of the Crosslands here!