Review: The Splintered Parts by Ana Yudin

Synopsis:

Someone—or something—is trying to bury itself inside Soraya’s skin.

It started her sophomore year of college, after she slipped in the shower and hit her head. Since then, nothing has felt real. The lights flicker all at once. She hears tapping at her window, and someone outside keeps calling her name.

Desperate to understand what’s happening to her, Soraya enters a neuroscience doctoral program in the Southwestern desert. But the deeper she dives into her studies, the more the line blurs between reality and distortion.

As a rare solar eclipse approaches, Soraya races to uncover the mystery. Eclipses have a way of exposing what’s been lurking in the dark, and if Soraya gets it wrong, she may lose far more than her sanity.

Favorite Lines:

“Just because something felt real didn’t mean it was.”

“Soraya hated the ‘tell me about yourself’ question. She was supposed to toe the fine line between personable and professional. If she answered frankly with a narration of her autobiography, then she’d seem too personal and self-involved. But if she answered too professionally, she’d be deemed impersonal—and likability was important currency in the world of academics.”

“Not everyone is so sure of their passion in life like you seem to be. Some of us look and look for it, but it never comes.”

My Opinion:

I received a copy of this book from the author in exchange for my honest opinion.

Psychological thrillers can be difficult to pull off because they ask readers to question everything they’re seeing without making the story feel unfair. The Splintered Parts does a nice job walking that line. From the opening chapters, there’s an unsettling feeling that something isn’t quite right, and while the book introduces plenty of possible explanations along the way, it never rushes to give the reader answers. Instead, it slowly builds an atmosphere of uncertainty where every strange event leaves you wondering whether Soraya is dealing with a mental health crisis, something neurological, something supernatural, or perhaps a combination of all three. I found myself constantly second-guessing what I thought was happening, which is exactly what I want from this type of story.

Soraya is an interesting main character because so much of her internal conflict exists outside of the mystery itself. She’s a neuroscience Ph.D. student researching consciousness and near-death experiences, but she’s also someone who can’t seem to shake the feeling that she’s living a life she didn’t entirely choose. Throughout the story, the tension between pursuing a practical career and pursuing something that genuinely fulfills her becomes just as compelling as the strange events surrounding her. I also appreciated that the scientific discussions never felt like they were there simply to sound impressive. They fit naturally with Soraya’s academic interests and gave the mystery a unique angle that separates this from many other psychological thrillers.

The relationships were another highlight for me. Soraya’s friendships, her complicated relationship with her family, and especially her interactions with her younger sister all add another layer to the story. There are moments where the family dynamics feel painfully realistic, particularly when expectations, comparisons, and career choices come into play. Even when I didn’t always agree with Soraya’s perspective, I understood why she reacted the way she did, which made her feel like a believable and flawed protagonist rather than someone who was simply easy to root for.

The atmosphere is probably what stayed with me the most after I finished reading. The Arizona desert, the hiking trails, the research lab, and Soraya’s apartment all gradually become places that feel just a little off, creating an almost dreamlike sense of unease. Yudin also does a good job weaving together psychology, folklore, neuroscience, and speculative ideas without losing sight of the emotional story underneath. By the end, I found myself thinking less about the mystery itself and more about the questions the novel raises regarding identity, purpose, and the different versions of ourselves that might exist because of the choices we’ve made throughout our lives.

Summary:

Overall, The Splintered Parts is an ambitious psychological thriller that blends science, suspense, paranormal elements, and introspection into something that feels different from many books in the genre. Readers who enjoy stories that slowly unravel rather than relying on constant action will likely appreciate the pacing, and anyone interested in unreliable perceptions, consciousness, speculative science, or character-driven mysteries should find plenty to enjoy here. It’s a thoughtful story that asks readers to question not only what’s happening to the main character, but also how much our own identities are shaped by the paths we choose to follow. Happy reading!

Check out The Splintered Parts here!


 

Monthly Features – June 2025

A Song at Dead Man’s Cove by Ana Yudin

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: Never turn your back on the ocean…

2023. Another person has disappeared at Dead Man’s Cove in coastal Washington. Jaded from her job at the historic Irving Hotel, Zarya wanders to the scene of the tragedy. She has heard her Russian mother’s tales of rusalki—vengeful spirits that have died unclean deaths near a body of water—and never paid them much attention. But now, on a misty headland beside an abandoned lighthouse, Zarya locks eyes with the rusalka and is chosen to be the next victim. She must unearth the siren’s tragedy before Rusalka Week, a period in early summer when water-spirits roam freely on land.

1850. Josephine has just joined her newlywed husband in Washington, in the lighthouse erected by local businessman Hurley Irving. Marriage is not quite what she expected, and her melancholia grows over the course of the winter. The medic prescribes pregnancy as the antidote. What he doesn’t realize is how far Josephine is willing to go in order to become a mother.

The Gothic horror novel follows two protagonists, a modern-day misanthrope who fears intimacy and a woman in the Victorian era who thinks stealing love will make her whole. But how long can a person hide from love, and can love really be taken by force?

Summary: A Song at Dead Man’s Cove is a mesmerizing, multilayered ghost story that manages to be both otherworldly and deeply human. Ana Yudin delivers a narrative that is as much about ancestral trauma and unspoken truths as it is about sirens and shipwrecks. It’s a tale of women silenced by history—singing now through salt and shadow to be heard.

Highly recommended for fans of Silvia Moreno-Garcia, Erin Morgenstern, and readers who crave gothic atmosphere with a feminist edge.

See the full review here: A Song at Dead Man’s Cove
Purchase here


 

With Time to Kill by Frank Ferrari

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: Everyone deserves a second chance, but how far would you go for one?

In the gritty streets of Edinburgh, Garry Plumb is about to find out. Living life on the periphery, never fitting in and always on his own, Garry’s world opens up when he meets Billy, the peculiar bus driver who has been watching him. Billy knows exactly how it feels to be ignored and his influence on Garry is immediate.

For the first time, Garry knows what it means to have his very own best friend. But this friendship is unlike any other, as Billy reveals how Garry can fix his entire life by changing his past.

But when the DCI John Waters, a relentless detective hunting a clever serial killer, enters Garry’s life, their friendship is put to the ultimate test.

Garry is willing to do anything for a second chance at life but, after meeting Billy, he has to ask would he kill for it?

This dark and captivating tale of self-discovery, murder and redemption will keep readers on the edge of their seats. With Time to Book One, a perfect blend of Scottish crime and sci-fi thriller, will leave you wanting more.

Summary: Overall, With Time to Kill is a gleefully dark mash-up of police procedural, serial-killer horror, and high-concept time travel. If you like your thrillers smart, Scottish, and just a little bit unhinged, clear an evening—you’ll race through this and immediately want the sequel.

See the full review here: With Time to Kill
Purchase here


 

The People Who Paint Rocks by Michael Stewart Hansen

I received a copy of this book from the author in exchange for my honest opinion.

Synopsis: The People Who Paint Rocks is a multi-generational horror epic that transcends the boundaries of its genre. What begins as a period horror/drama in 1910 Santa Fe evolves into a chilling supernatural thriller by 1975, where a pregnant nurse and a detective tormented by spiritual doubt race to stop an evil older than memory. A moody, unsettling, and unrelentingly atmospheric work that grips the reader from the first page and refuses to let go.

The opening act is steeped in Western gothic, introducing us to Albert McCord, a grieving husband and father seeking revenge on the wolf that took his family. But the creature he hunts is no ordinary predator—it is the origin of something far more terrifying. Hansen cleverly seeds this early chapter with themes of loss, legacy, and the illusion of control. Albert’s struggle is both physical and existential, as he fends off his late wife’s scheming family while unknowingly chasing a malevolent force that will haunt generations to come.

Fast-forward to 1975, and the novel pivots into psychological horror, following Charlie, a pregnant nurse caught in a web of ritualistic murders, and Alonzo, a detective whose beliefs are unraveling. This shift is not jarring but deliberate, echoing the disjointed sense of time that defines much of the book’s unsettling tone. The narrative connection between Albert and the events six decades later becomes a dark thread pulling the characters toward an inevitable confrontation.

Summary: Overall, The People Who Paint Rocks is a gritty, big-hearted mash-up of western, creature feature, and generational ghost story. Come for the demon wolf and six-gun showdowns, stay for the way Hansen turns painted pebbles into the creepiest grave markers this side of Stephen King country. It’s messy, mean, and—when the sun finally comes up over Red Rocks—oddly hopeful.

See the full review here: The People Who Paint Rocks
Purchase here


 

Review: A Song at Dead Man’s Cove by Ana Yudin

Synopsis:

Never turn your back on the ocean…

2023. Another person has disappeared at Dead Man’s Cove in coastal Washington. Jaded from her job at the historic Irving Hotel, Zarya wanders to the scene of the tragedy. She has heard her Russian mother’s tales of rusalki—vengeful spirits that have died unclean deaths near a body of water—and never paid them much attention. But now, on a misty headland beside an abandoned lighthouse, Zarya locks eyes with the rusalka and is chosen to be the next victim. She must unearth the siren’s tragedy before Rusalka Week, a period in early summer when water-spirits roam freely on land.

1850. Josephine has just joined her newlywed husband in Washington, in the lighthouse erected by local businessman Hurley Irving. Marriage is not quite what she expected, and her melancholia grows over the course of the winter. The medic prescribes pregnancy as the antidote. What he doesn’t realize is how far Josephine is willing to go in order to become a mother.

The Gothic horror novel follows two protagonists, a modern-day misanthrope who fears intimacy and a woman in the Victorian era who thinks stealing love will make her whole. But how long can a person hide from love, and can love really be taken by force?

Favorite Lines:

“She decided right then and there that there are two kinds of loneliness: the kind borne of solitude, and the kind that swelters in a crowd full of people. In both cases, loneliness was the same—it emptied the soul until there was nothing left. No distractions could ever be enough to feel full again.”

“She could not have known what was about to happen. She could not have known that the ocean would break its promise to her. “

“Josephine seemed determined to never learn her lesson—that one cannot take love by force, that love must be freely given to be real.”

“Grief could be a funny thing. Sometimes, the biggest loss of all was for a person who had never even existed.”

My Opinion:

Ana Yudin’s A Song at Dead Man’s Cove is a chilling, atmospheric blend of contemporary mystery and gothic folklore, wrapped in lyrical prose and deep emotional undercurrents. Set in a sleepy coastal town plagued by a history of disappearances, shipwrecks, and lingering spirits, the novel expertly straddles two timelines—1850s and present-day—to tell a tale as haunting as the sea itself.

The story follows Zarya, a concierge at the historic Irving Hotel, who becomes entangled in a series of eerie events that link back to the tragic story of Josephine Byrne, a 19th-century woman whose love affair, mental anguish, and suicide cast a long shadow over the town. When modern-day women begin vanishing under similar circumstances, Zarya must uncover the dark legacy left behind—one connected to mythic sirens, sunken ships, and generational secrets.

What sets this book apart is its rich, evocative atmosphere. Yudin conjures foggy coves, crumbling lighthouses, and salt-bitten ghosts with the kind of vivid detail that lingers in your mind like brine in the air. Her depiction of grief, longing, and the desire for connection—across time and beyond death—adds layers of emotional complexity to what could have easily been a simple supernatural thriller.

As the threads between Zarya’s present and Josephine’s past tighten, the novel builds tension with finesse. It’s not just about what happened, but what it means. The sirens themselves are not one-note monsters, but spectral figures full of sadness and rage, blurring the line between victim and villain. This nuanced approach makes A Song at Dead Man’s Cove a standout in the genre.

The climax is both cinematic and intimate, offering moments of genuine horror as well as deep introspection. Themes of love, betrayal, womanhood, and the price of silence echo throughout, making the story feel as ancient and universal as the ocean itself.

If you love books with dual timelines, mythological influence, ghostly lore, and women reclaiming their power through untold stories, this book should absolutely be on your list.

Summary:

A Song at Dead Man’s Cove is a mesmerizing, multilayered ghost story that manages to be both otherworldly and deeply human. Ana Yudin delivers a narrative that is as much about ancestral trauma and unspoken truths as it is about sirens and shipwrecks. It’s a tale of women silenced by history—singing now through salt and shadow to be heard.

Highly recommended for fans of Silvia Moreno-Garcia, Erin Morgenstern, and readers who crave gothic atmosphere with a feminist edge. Happy reading!

Check out A Song at Dead Man’s Cove here!